Summary: Sergeant Harry Wells leads a team of British soldiers on a routine expedition to the Scottish Highlands. The six men would rather be at home watching a game, but they are even more dismayed when a carcass lands on their campfire. The next morning, they happen upon a severely injured Captain Richard Ryan and the bloody remains of his squadron.
Or the shorter version: A team of British soldiers encounter a vicious monster in this modern werewolf gem. [bat: Ooo! Snark at the Moon is going international this year!]
Okay, I love that second one. Love it.
Shudder tells me that this is from the director who did The Descent, which is one of my favourite movies. I know I watched this one first, mostly because The Descent didn’t come out until 2005, but I never knew they were by the same director. Unlike a lot of the other recappers, I am not a font of knowledge about directors and actors and authors, etc., so I’m always surprised when something ties to something else I love.
Werewolves. It’s going to be a good time tonight.
Which I desperately need, and you probably do, too. 2020 has been a hell of a year. At least October has both the Harvest Moon and a blue moon on Halloween.
And, you know, horror movies and werewolves. All of the werewolves.
[bat: Hi, all! Yeah, I know, you didn’t get my half of Snark at the Moon last year. Grieving the death of your grandmother will put a dent in recapping things. I promise, though, I will have my installment up for 2020! Beyond that, I have only ever heard of Dog Soldiers because of Wing. I’ve never seen it. Is that remotely shocking, because what I haven’t seen is a long list. Never seen The Descent, either. Well, let’s get this blue moon Halloween party started with some snarking!]
Summary: The BBC investigates the “most haunted house in Britain”, with Michael Parkinson in the studio with parapsychologist, Dr Lin Pascoe and Mike Smith, and Sarah Greene and Craig Charles on location at Foxhill Drive at the haunted house itself.
Ok, so if you’ve read my recap of The Worst Witch, you will know that the UK hasn’t got a clue about Halloween, especially in the 80s/90s. And my recap probably led you to believe that The Worst Witch was our only stab at trying to do something about it.
That’s not exactly the case. The UK tried once more, with this mockumentary, and it ended, tragically, in literal death. After that, this was scrubbed from the BBC’s history, the Radio Times was told to never mention it again, and nobody had a copy of this movie for the longest time.
If you think we were all daft for getting sucked in, maybe you’re right, but it wasn’t very clear that it was fiction. There was an announcement before it aired, and the opening titles do give a writer’s credit, but if you tuned in a few minutes late, which you probably did because you were watching The Worst Witch on ITV, you missed it. [bat: So, basically, this is the UK’s version of the Orson Welles’ “War of the Worlds” radio broadcast.] [JC: That was my first thought as well, although reports of people thinking that broadcast was real have been grossly exaggerated over the years.] [Dove: That and the Enfield Poltergeist were inspiration for it.]
Add to that it was hosted by Michael Parkinson. Parky, for god’s sake! The man’s an institution. You’d trust him with your soul, your life savings, and your internet history. I’m aware that this may be a hard sell to a country that may dimly recognise him as “that chat show host that got a lap dance from Bill Nighy in Love Actually”, but he really is trustworthy.
Then you’ve got Sarah Greene, a staple of the Saturday morning shows – Going Live!, at the time I believe – that every kid in the UK watched religiously, and her real-life husband Mike “Smithy” Smith, neither of which are actors.
The only oddball there is Craig Charles, but even that seems plausible, since Red Dwarf was super popular in 1992. Also, look at the season of Catfish where Max was absent. Literally anyone that was on hand was called in to co-host, regardless of their experience. You just grab the most famous person you can to make up the numbers. [Raven: Craig Charles was a good choice rather than an random celeb. He’s an established play-it-for-laughs cheeky scouser, and the perfect call as comic relief presenter for the fake show while having acting chops for the scripted reality. Also, hello everyone! I’m Raven.] [bat: I’m actually doing commentary with Raven on a recap. I think is a first. *faints*] [JC: I have had very little interaction with Raven, and so am excited to see him here! Also, I have no idea who any of these people Dove has named off are.]
And finally, the number you call in to? 081 811 8181 – that’s the number for Going Live!, and every other BBC programme that needs a call-in number. Everyone my age not only knows that number, but gives it in an odd delivery (saying “one” as “wuhnnn”) thanks to the Going Live! jingle.
And boy did people call in! In theory, if you called, you’d hear a recorded message saying that the programme was fiction, but thanks for your interest. It’s just that if half the population of the UK calls the same number at once, the entire system falls apart and nobody hears that message.
So sure, we were dim. But we were all dim together.
Except Dame Judi Dench.
She’s friends with the actress who plays Dr Lin Pascoe. She was disappointed to quickly realise it was fiction when she saw her friend on screen.
But that’s cheating, Dame Judi! Hell, even Parky’s mum took it seriously.
Of course, eventually it was released, and the Beeb have realised that there’s a strong online fandom, even if some of us have PTSD from the show. You can buy the DVD quite easily now. The thing that’s nigh impossible to locate is Ghostwatch: Behind the Curtains, a documentary about the show. It’s released, as far as I can tell, in batches when enough interest is generated. Damnit, dudes, just rip it to mp4 and sell it as an online download. People are desperate to watch it.
[bat: Okay! I know nothing about this, partly because this kind of thing is not something that interests me and I live in the land of Halloween, so I’m a part of this recap commentary because of Dove. So this is largely her fault, good or bad. I have zero clue what I’m about to get myself into. I am going in blind, as they say.]
[JC: My impression before watching was that it was going to be Ghost Hunters meets Paranormal Activity. I think I was pretty accurate there. After watching it, I’m adding in the “Television Terror” episode of Tales From the Crypt.]
WARNING: Mentions, but no on-screen depictions, of the deaths and abuse of animals and children.
Title: The Worst Witch (1986) – or the definitive Worst Witch, for our generation
Tagline: Things never go right for Mildred Hubble…
Summary: Mildred Hubble (Fairuza Balk) is one of the young girls at a prestigious witch academy. She can’t seem to do anything right and is picked on by classmates and teachers. The headmistress of the school, Miss Cackle (Charlotte Rae), has an evil twin sister (Agatha) who plans to destroy the school. Can Mildred foil the plan before the Grand Wizard (Tim Curry) comes to the Academy for the Halloween celebration you’ll never forget?
I know you do Halloween so much better than us, that’s a fact. You knock it out of the park, while we just watch in helpless envy.
However! This is the only thing we did for Halloween in the eighties (well, this and Ghostwatch, which I have also recapped as a double-bill). We’re very proud of this. While pumpkins and trick or treating may be the staples of Halloween to you guys, this this is the one thing we remember.
It was on every Halloween without fail for so many years. Right up until everyone started having VCRs. Around the same time everyone thought to themselves, “You know what, I’m going to record The Worst Witch, so I can watch it outside of Halloween”, that was the moment it stopped being shown.
This is ours. We’re happy to share it with you, but it is ours. It’s the only Halloween thing we have.
[bat: It’s ironic, since the origins of Halloween are Celtic, but America’s commercialization of the holiday with candy and costumes has made it into a lasting tradition that Britain cannot keep up with. Still kind of want to spend Halloween in England, just so I can bitch the whole time about no candy or decent costumes.]
We open with a shot of a teeny-tiny castle that absolutely and unequivocally cannot house a school, much less a boarding school. The reason I know this? It’s about the same size as the main hall of my primary school, which had about 100 students maximum. So no, it couldn’t house multiple classrooms and dorms. [JC: Until someone tells me otherwise, I’m going to assume it’s like the TARDIS. Bigger on the inside.]
We cut to Miss Hardbroom [bat: RIP Diana Rigg; watching this now makes me cry.] being smug and efficient, as she straightens her hat and snaps her fingers. A cupboard pops open and her broom floats towards her. Inside the cupboard is a picture of the unfortunately named, Grand Wizard (Tim Curry). Or at least, I assume it’s him. With the quality of this copy, it could be a picture of my cat for all I can see.
I wish there was a clearer copy of this. Surely the original copy could be cleaned up a little and re-released, or am I showing woeful ignorance about technology? I don’t imagine it could be 1080p or anything, but I’m watching a legitimate digital copy, and it’s as if I’m watching VHS on the old fuzzy TV we had in the 80s. [bat: My DVD copy is okay. I’m assuming that it wasn’t filmed on good film stock and by the time they got around to home video release, it was already degrading. I don’t think they ever realized how important it would be to a generation and thus didn’t make it to last long.] [JC: I watched this on YouTube, where it purported to be in 720p. It looked surprisingly good for YouTube, but the copy was obviously fuzzy to begin with.]
She greets Miss Cackle (the headmistress), who says that it’s a lovely morning with the most bizarre intonation. She’s rather odd. Possibly an inspiration for Dumbledore, because I find it impossible to believe that Rowling never read The Worst Witch. [bat: Ditto.]
We have some truly outstanding CG of Miss Hardbroom flying on her broom to the top of the school. The scale is… um… questionable.
Side note: It also looks like the courtyard from Potter.
Miss Hardbroom is referred to as HB in the books by the kids, so I’m sticking with that. HB flies up to the bell and jabs it with her wand to wake the students. And then we have my personal favourite of the songs in this, Growing Up by Bonnie Langford. I know, controversial. You’re supposed to like Tim Curry’s song best. I’m sorry, I don’t. I was terrified of him as a kid.
Also, as the chubby kid who walks with a limp, how do I not empathise with kid who is failing at everything, rather than a super wizard with odd intonation who is shilling Halloween to an audience already totes in love with it?
FIGHT ME. [JC: *assumes fighting stance* *reconsiders the merits of each song* *lowers fists* *shrugs*] [Dove: *sighs in relief*]
The song shows a montage of Mildred failing. She oversleeps. She trips and – impossibly – grabs the rope for bell-ringing (which apparently lives between the dorms and the bathrooms), ruining HB’s bell ringing. As everyone rushes from the bathroom, Mildred rushes in. Students file down the grimmest stone steps in the universe (with a truly ugly blue wall behind it, which seems so out of place in a historic castle), then there’s a pause and Mildred’s satchel falls down the stairs. I’m assuming they envisioned Mildred falling, but given that the budget was no more than £2.50, which was all thrown at paying for exterior shots of St. Michael’s College, they couldn’t afford that stunt. All of this culminates in Mildred running down some more stone steps (these ones are much more in line with the building), taking a sharp corner and knocking her entire class over.
HB glares at her and Mildred gulps.
I always think it’s awesome that Fairuza Balk played The Worst Witch, and then a very different kind of worst witch in The Craft (and, for that matter, owned a wiccan shop). I’m not alone in this. But I was alone in deep confusion over whether she was American or England (I’m terrible at hearing accents). She was Mildred Hubble, queen of British failures, but she was also Dorothy Gale, iconic dog owner of Kansas. [bat: I always wondered why Mildred was “American” and the rest were obviously British. It always confused me.] [JC: Did she start out trying a British accent, then give up? Because it sounds like that “accent” every famous actress had in 40s movies that was meant to sound classier than American, but not quite British. There’s a specific name for this that escapes me at the moment.]
On reflection, her first conversation should have told me that whatever accent Mildred has, it’s not from the UK. Ethel Hallow (THE NEMESIS) breezes past the foreground, commenting smugly that she learned all the spells. Maud Warlock, Mildred’s best friend, asks if she’s nervous about the test. Mildred says she thought she knew everything last night, but today she’s terrified of being yelled at.
Side note: I adore the names in this series: Maud Warlock, Dawn Undercover, Misty Meadow – now that’s a keeper. Anything that is borderline My Little Pony is cool with me. Another thing I love? The school uniforms. I went to a school where the colours were bottle green and mid grey. We looked like mouldy fruit. These girls look so Halloween in orange and black. [bat: The two month stint I did in Catholic school, we had blue/white/black/grey plaid uniforms with white shirts. I look good in blue and although I hated it being a skirt, at least I didn’t agonize over clothing every morning.] [JC: I briefly went to two different Christian schools, and while they both had strict dress codes, neither had uniforms. I always kind of thought school uniforms would be neat.]
Maud sneaks her book in the front of her tunic to cheat with, and HB calls her on it with barely a glance in her direction.
Today they are making laughter potions, they have three minutes to brew a potion. Damn, that’s quick work.
Ethel and her partner get to work with looks of studious superiority on their faces – Ethel was really well cast. She looks just like the illustrations in the books. Or maybe she just brings that, “die, pleb” attitude. I think it’s all in the eyebrows. These are the eyebrows of someone who doesn’t need to fuck your shit up, because she’s too busy never fucking up.
Over with Team Fail, they comment that the laughter potion was an unlikely pick since HB lacks joy and hilarity. While Team Perfect measure carefully, Team Fail kind of chuck things in and hope for the best.
HB chivvies them along, reminding them that laughter potions should be brewed quickly in case of an emergency. Um… what emergency? I mean, I have been to a few work meetings where some well-meaning jokes have died a painful death, but even then, I can’t see that being a suitable situation for an emergency potion. Fellow recappers, any ideas?
[JC: Emergency cheering up for a depressed friend?]
Everyone has to take their potion. Giggling erupts around the class. Ethel is actually screaming with laughter, which I think is a callback to the book, where Ethel’s potion was so potent she needed to take some kind of calming potion to counteract it.
Team Fail, on the other hand, just comment they don’t feel “all there” and then promptly vanish. HB notices and shouts at them. While both try to take responsibility, HB doesn’t care, she tells Mildred that when she reappears, she needs to go to Miss Cackle’s office and explain herself.
HB dismisses the laughing class (wait, so they had a five-minute class?) [bat: I think it was kind of a pop quiz deal, not a true class.] [Dove: Awww, it’s so sweet you think that’s a thing in England.] [bat: Wait, what, you don’t have “pop quizzes” in England??], and as Ethel leaves, almost floored by her own hysterics, an invisible foot kicks her. From the stool the invisible person sits on, it looks like Maud kicked her.
And holy shit, I’m fairly certain that Susan from the BBC Narnia series just wandered past. *a moment later* Yes, yes she did.
The girls start to reappear, from the head down, and Mildred confesses that the pond weed that should have been collected at midnight was “sort of after midnight”. Then a couple of boots appear from the right and walk over to the girls. Maud asks whose boots they are, and Mildred says they’re hers, the laces are undone.
Guys, you’re just invisible. Or have you discovered a new spell where your body parts not only vanish, but wander off. I’m certain bat is screaming “MAGIC: HOW DOES IT WORK?” because that’s kind of her thing. [bat: JUST CHISEL IT ON MY TOMBSTONE]
The girls fully reappear and Maud comments that it’s a remarkable spell, and if they knew how they did it, it’s certainly one to tell the grandchildren. “If I live to have any,” Mildred responds and they giggle again.
This is why the Brits love Mildred. She’s crap and she embraces it. Sure, she’s tired of it, but you can’t keep a Brit from being self-deprecating. (Well, ok, basically every politician, but they don’t count. They’re barely human.)
We cut to Miss Cackle’s office, where she’s speaking to her niece, Donna, on the phone. Donna has just had a phone installed on her broom – so 80s. [bat: The fact it’s a corded phone and not cordless always boggled my mind.] She invites Mildred in, ends her call, and Mildred explains the situation. Miss Cackle is sympathetic and grandmotherly, but comments that Mildred must be the worst witch in the entire school.
Note to adults: never say a child is the worst at something. They will get a complex.
Mildred vows to do better, then as Miss Cackle ushers her out, there is a crash from above. “Donna’s arrived!” Miss Cackle announces. She adds that Donna will be 136 soon, but still acts like a teenager. Oh, so witches have longer lifespans than regular humans? Gosh, that’s a bit like that other magical boarding school series, isn’t it?
We cut to the hallway where Donna appears, wearing leather, chewing gum, and talking on her broom phone in what I think is an attempt at a New Jersey accent (the actress is British). That always baffled me. Why is she American? [bat: Better yet, why is she New Jersian?]
I have yet to meet a Donna that I don’t want to punch. No offense if you’re called Donna – I haven’t met you yet and I’m sure you’re lovely, but the sampling I’ve encountered have all been asshats. This one is no exception. [JC: My “Donna” is Cassie. I’m sure wonderful Cassies exist, but I have not had the good fortune to meet any of them. All the Cassies I’ve met have been demon spawn.] [Dove: I knew a Cassie who I thought was nice, but she borrowed my Dark Materials books and then sold them. So… uh, jury’s still out. Donnas and Cassies, come forward and be our friends!]
“Sawry about the windah,” she says as she sweeps past Miss Cackle. Urgh. Just die.
That night in the dorms, Mildred tells Maud that she’s worried she’ll never make it as a witch, HB hates her. Maud is vaguely reassuring that HB hates everyone. Then they get gossipy. Apparently HB was madly in love with the Grand Wizard (remember that picture in her broom cupboard), but she was jilted because a prettier witch wanted him, so cast a spell over him so that every time he looked at HB, he saw a slimy toad. The girls gross each other out at the idea of kissing either a toad or HB, and get quite giggly. This is cut down immediately by the appearance of HB who tells them off severely for goofing off and spreading “disgusting gossip about matters which do not concern you” and reminds them that they are failing good and proper, so maybe shut up and work harder.
HB blows out the candles and leaves.
Mildred then whispers to Maud that she can’t sleep because she’s afraid of the dark. You’d have thought that would have come up by now, since, y’know, nothing about the preceding scenes indicated that it was the first day of school. [bat: What about the GIANT FLYING FOX hanging from the radiator?! How did they get their hands on one??] [JC: BAT! I LOVE THE BAT! . . . erm, the animal, not the recapper. Not that you’re not great, bat, but I’m not actually in love with you. I hope you understand.] [bat: I’ll live.]
The next day the girls are crowded into the teeniest assembly hall ever. I feel like any moment now, Wing’s going to point out the England has no space, and I endlessly bitch about how small everything is in comparison to the USA. Yeah, no, but this is an ancient building. It should have plenty of space. It should at least have more space than the assembly hall of my primary school.
The teachers assemble on a balcony – and is it just me or does the flying instructor look how you expected Madame Hooch to look before you saw the movie? Maybe a smidge less Evel Knievel, but basically that.
(OK, maybe when I read Potter for the first time, my brain cross-referenced this movie a lot.)
We are then subjected to the kids singing the school song, which is just as awful to watch as it was to live in real life. I can’t really remember my school’s song, but I do remember that we changed the final line to “to the vision of raining strawberries, ever holding faaaaaaaaaaaaags” (fags being cigarettes, not a gay slur) and sang it on Founder’s Day after getting tipsy on the school field at lunch. [JC: . . . I have never met a school that had its own song. I understand from British media that this is a thing, but I have never encountered it in life, and it fascinates me.]
I particularly love the energy of the girl in the foreground, everyone else has demurely clasped their hands in front of them. One girl has belligerently crossed her arms. She is standing next to a girl with a ginger mullet. It’s hard to know what offends her more, the singing or the hair.
We cut outside to Agatha Cackle, Miss Cackle’s evil sister. That isn’t revealed for a good forty minutes, but c’mon, you’ve had 34 years to watch this movie. Don’t blame me for spoilers now.
She has pink hair and ragged robes and a friend called Delilah. Actually, as a kid, I never noticed she was played by the same actress as Miss Cackle. She seems to be doing a generic American deep south accent, which is also incomprehensible. They’re sisters, why do they have two different accents if they grew up together? Huh, ok, the actress is from Wisconsin. Ok. I assumed she was Scottish and trying to do an English accent, given the weird inflections she uses as Good Cackle. Ok, well, fine. As I’ve said, I’m terrible at placing accents. [JC: Dove, you do know that this is Charlotte Rae, aka Mrs. Garrett from The Facts of Life, right? Did . . . did that show not travel across the Atlantic? Anyway, I’m not sure Aggie’s accent is regional so much as it’s just “generic redneck.”] [Dove: Um… if it did, it didn’t make it to terrestrial TV. Never seen it. Don’t know anyone that has. Sorry.] [bat: The Facts of Life *did* air on satellite channels in the UK for a hot minute but never terrestrial TV. Also, I don’t know that the concept would have made a lot of sense across the pond. Boarding school, sure, but the girls’ escapades may not have translated as well. It would be funny to have Dove watch some episodes and get her reaction, though.]
Agatha rages that the school song has been changed. The whole school should have been hers from birth, so I assume she’s older, but their mum always loved Good Cackle best.
Then comes a wacky 80s lol that I’m so glad died. Mildred and Maud run into Agatha and Delilah (off screen) and they go tumbling into the air (read: two dummies in approximately the same clothes are tossed into the air) and we cut to the bad witches looking aggrieved.
Mildred and two other girls (not Maud) apologise profusely, explaining that they’re late for assembly. We cut to inside, and the girls sneak in – the door leads to the front of the room – then turn around and back up until they’re with their class.
This is a weird setup, the oldest kids are at the front, the youngest at the back. That was not how it went in either of the schools I went to, but I suppose it gives more time for HB to notice them and glare. Also, I can’t see Maud in the assembly. It could be the awful resolution of this ancient movie, or it could just be one of those kids on set issues.
As the song comes to a painful end, Miss Cackle enthusiastically praise them for their “terrific singing”, y’know, like how Dumbledore is the only one who likes the school song.
She then announces that the special guest of their Halloween celebrations is to be the Grand Wizard. Cue swooning. And cut to an oil painting that… uh… well, I’m sure it’s meant to be the Grand Wizard, but it kind of looks like what someone would draw if they had never seen Tim Curry, but had David Hasselhoff as a reference, and someone sitting on the opposite side of the room, describing Tim Curry, while really loud experimental jazz played from gigantic speakers between the two of them. [JC: Thanks, I hate it. Also, I understand that “Grand Wizard” probably doesn’t have the same connotation in the UK as it does in the US, but I still snort and cringe every time someone refers to him as such. Thank God they didn’t give him any sort of . . . white . . . hood . . .] [Dove: As someone who always sides with Cartman in The Stick of Truth, yeah, I get it. I did refer to him as “unfortunately named” above, but really didn’t expand.]
I mean, if that’s how this painting was commissioned, then they did a brilliant job. Otherwise, uh, no.
While Good Cackle does the announcements, Bad Cackle is outside doing very little except for doing and evil laugh and kissing her reflection – she now has a mirror. Nobody knows why.
Good Cackle drops her hanky from the balcony and magically appears on the ground floor to catch it. People are impressed. And for an 80s effect, it was cheap and solid. [bat: It’s one of my favorites. I always wanted to “blink” like that.] She then says that the first years are getting their kittens today – a school tradition, started by her mother, Magdelana Cackle, who created a school to protect witches from being burned at the stake. Good Cackle is very proud of her feminist mum, who made these great strides, but HB with a pointed cough and a quick teleport to behind her, brings things back to the task at hand.
So, um, why didn’t I go to a school where I got a free kitten? I have two right now, and it’s the greatest thing ever.
HB and Good Cackle give out the kittens in order of achievement at school. This means Ethel is first. Somehow now the younger years are at the front, and the ginger mullet is third from the back. Ethel rudely shoves her way between Maud and Mildred.
Gosh, she acts kind of like Draco Malfoy, doesn’t she? Only without the racism, obviously. She’s just kind of a petty asshole. Someone get her some leather pants and a redemption arc, stat! After collecting her cat, she walks back to her place, this time Maud and Mildred move aside with sarcastic smiles on their faces.
Yes, this movie has a lot of problems, but girl friendships is not one of them.
We cut to outside in the woods, and this is probably my number one problem with this movie: Bad Cackle’s gang of witches are howling. I don’t know why. They’re running around a camp fire and shrieking. Think of every negative word to describe a woman making sounds, and this is it. Why? Because they’re witches. I just don’t see the point of this noise. I can already tell they’re evil, they don’t need to be annoying too.
Even Bad Cackle is pissed off and yells “Would you all shut up!” Yes, Bad Cackle, thank you.
Bad Cackle lays out the plan: while the school is planning for Halloween, Bad Cackle and her gang of morons will sweep in and take control of the school. How? They just will, ok. Shut up. And once that’s done, those sweet little girls will be evil witches.
And now we have a song. And god is it painful. I can’t really work out why. It’s not like in My Little Pony where Megan is supposed to hit a note and flails around wildly on the first take and everyone goes, “Sure, that’ll do.” It sounds like she’s hitting the right notes and her voice is strong enough for the long ones not to sound painful (again: Megan). I think that she’s singing as Bad Cackle’s character and the voice is just not fun to listen to, which fine, sure, I’m the good guy (apparently) and they revel in the ugliness and things the rest of the world doesn’t, so actually, in universe it makes sense. However, villain songs should be catchy, and this one is, but still painful. Anyone else got any comments? [bat: I always, without fail, fast forward through this scene/song.] [JC: I think it’s a problem with the composition. Like, in better hands it could have been creepy and catchy, like the Fireys’ “Chilly Down” song in Labyrinth. And that’s actually one of my least favorite songs from that movie, but it’s worlds better than whatever they’re doing here.]
If after that rambling paragraph you decided not to watch the clip, the tl;dw version is: bad, smelly, ugly, evil people will crush it when Bad Cackle takes over the school.
Back in the school, you can see the kids are having a whale of a time fussing the kittens. “Hey, I get paid to play with a kitten? AWESOME!” and we’re coming to the last few kittens. Mildred is last, and they’ve run out of pure black cats. Hers is tabby. And also about two months older than all the black kittens. It’s nearly full grown.
Mildred doesn’t care that her cat isn’t black like everyone else’s. This is also why I love Mildred. Tabby cats are awesome.
Good Cackle announces that the first years are now having a flying lesson to teach their cats to perch on their broomsticks. And when we get outside, Maud’s cat is just as old as Mildred’s. They talk about what to call their cats. Maud’s going with Midnight, and Mildred says she might call hers Blackie, “because it isn’t”. Maud thinks the poor cat will get a complex. Mildred lands on Tabby instead.
Ethel, obviously, takes off with a perfectly balanced cat – look, they might be babies (under a year old) but they’re all full size and they look mature, so I’m saying cat from now on.
Mildred puts her cat in her satchel and dangles it off the back of her broom. With time constraints – and the difficulty of working with animals – I guess nobody wanted to waste time showing this:
By the way, not only did Jill Murphy write this charming series, she illustrated it too. I adore this art style. There is an awesome picture in A Bad Spell for the Worst Witch which is just a GIGANTIC cat face.
There’s a voiceover of Ethel or one of her friends saying Mildred’s cheating.
Then the teacher arrives, Miss Spellbinder. Madame Hooch 1.0, if you like. The students are completely besotted with her. “Isn’t she wonderful?” one comments. “Ohhhh, yes,” her friend replies, completely crushing hard.
The CG is terrible. Miss Spellbinder flies down over a completely static picture, which has a voiceover of swooning girls. Bless.
Meanwhile Ethel says she’s telling on Mildred for cheating. And then she does. Um, that first scene was kind of pointless. Miss Spellbinder says that Mildred must learn, but for now Tabby can ride in her satchel. Ethel silently seethes. She is going to cut a witch over this.
Then Miss Spellbinder gives them a quick demonstration, which starts out simple and ends with her standing on her broom and surfing it down. Madame Hooch never did that.
Students take off easily and Mildred mutters to herself that Spellbinder makes it sound so easy. “It is, you pathetic dumbo,” Ethel responds. PUSH HER OFF HER BROOM, MILLIE!
There is more terrible CG of girls sitting on brooms with awful backgrounds behind them. And, um, they totally forgot the cats. Nobody but Mildred has a cat.
“You’ve all improved, girls. Well done!” comments a teacher who has literally had the class for six minutes.
Now comes a lot of fail. They add cat noises to the image of Tabby in the satchel to imply she’s upset, but she’s not. She’s just bored. Mildred looks back to see if he’s ok, and loses control of the broom. Except the tech and the budget isn’t there. So mostly it’s Mildred screaming, fake cat noises, and genuinely terrible CG to pull it all together.
[JC: I’m sorry, but are we really not going to talk about the fact that the “fake cat noises” are EXTREMELY OBVIOUSLY a human literally saying “meow,” “mrow,” “rowr” and the like? AM I JUST SUPPOSED TO IGNORE THIS? BECAUSE I CAN’T, DOVE! I CAN’T! IT’S ALL I CAN HEAR NOW!] [Dove: You know what, I did hear it. I always hear it, but I had so much to say that I didn’t bring it up. It’s particularly notable when Miss Cackle refers to Tabby as “him”, then a fake meow happens, and she amends it to “her”.]
And because it’s awful, and there’s no money behind it, the only possible thing to do is ensure it lasts as long as possible, so that nobody can forget how little money they had.
It’s fucking awesome.
After about 20 minutes of this nonsense Mildred crashes into a tree. Read: some sticks are waved at her in front of the green screen, noise effects are added, and we cut to her sat on the ground under a tree with a cat in her arms and a broken broom.
We cut to Good Cackle’s office, where she and HB discuss the students. Mildred is a car wreck, Ethel is spectacular, just like all her sisters before her. [bat: Is the Hollow family the “nasty” version of the Weasley family, with all daughters instead of sons?] Good Cackle comments that she’s never cared much for the Hallow (Malfoy?) family very much.
I haven’t mentioned it yet, but god is Diana Rigg great as HB. She chews the scenery like a boss, rolling her Rs, striding about, glaring… back me up, she’s awesome, right? [bat: ICONIC. ROLE MODEL. She’s Snape and better at being Snape then Snape was.] [JC: Is it possible Alan Rickman watched this and modeled his Snape after her? Because yeah. She is OG Snape.]
We cut to Team Fail swooning at the painting of the Grand Wizard. They’re at lunch, and the assembly hall is now the lunch room. If that’s not normal in the USA, I just want to clarify that it’s perfectly normal in the UK. [bat: We call that a “multipurpose room” here.] [JC: Many of my school gymnasiums doubled as the lunchroom or assembly hall.] Mildred again says she’s not cut out to be a witch and asks Maud if she ever has doubts. Maud says no, her whole family are witches. Oh, so no muggles in Maud’s family, you say? WEASLEY! [bat: More like Hermione, honestly. MUGGLE-BORN MILDRED.]
Mildred says her mother always wanted to be a witch but she never had the gift. “It’s not that I want to be the best, I’m just so tired of being the worst,” Mildred explains, summing up every sports day I have attended.
Also, for literally decades I thought this quote came from Fame. Every time I watch it and see that one character (a dancer, I think) complain about how tired she is of being told off for her imperfect form, I expect her to use that line and then the scene feels kind of empty without it. (Also, Fame is massively overrated. Some really nice bits intercut with dull as fuck or cringey moments.)
Talking of cringey bits. Here we go. Ethel makes a few snide comments and then throws a balled up bit of bread into Mildred’s drink (“bug juice” according to Maud). Maud offers to refill it and gets a jug from further down the table. As she returns, Mildred, for no reason at all, stands up, causing Maud to pour the liquid all over Mildred. This somehow culminates in the girl on the other side of Mildred to fall off the bench, covered in ketchup. Mildred immediately starts screaming that she’s bleeding, and when it’s revealed to be ketchup, everyone laughs. Even those with their backs to the action, and definitely those out of earshot. It’s just that transcendently funny. [JC: Are they all binge-drinking that laughter potion? Because that’s the only explanation I can come up with for this.]
I’m pretty sure that’s not in the book, but I’m also willing to recap the books at some point. Anyone want to join me? [bat: I don’t have the books anymore. They were hard to find and the editions were weird reprinted omnibus-like ones and I hated them. I wish I had the books.] [Dove: The ebooks have the illustrations, if they’re available to you.] [bat: Ebooks are not for me. I prefer physical, but thanks just the same.]
We cut to later where the first years are playing terror tag. Two teams, red and blue. The aim of the game is to collect screams by scaring the other team. I have literally no clue how the scorekeeper, who stays put in the library, knows who is screaming and who scared them, but y’know, the plot says so, so just push on.
The red team is led by Ethel, they were allowed to go off and prepare, while the blue team counts to twenty to give them a head start.
If you’ve ever seen any horror movie, then you’ll have an idea of what follows. Obvious setup, “jump scare”, scream. The jump scare is basically, wherever you go, someone will be there pulling a face at you. For several minutes.
The worst is when Maud and Mildred, walking side by side, jump scare each other by looking away and looking back. It’s about on par with the endless and exhausting jump scares in the pointless and fucking terrible Blair Witch reboot.
It’s 7-6 to the blues when Mildred approaches a girl at the sinks with a towel over her head. Mildred pulls a face, and waits for the girl to stand. She does and she’s wearing a mask. Mildred screams about seven billion times in a row, well, eight, but it goes on forever. Ethel hides the mask and when Mildred says that Ethel cheated (apparently only pulling faces is acceptable, crappy masks are not), she is made to feel like a sore loser.
Mildred can’t help but blurt out that Ethel better watch out. Ethel goads her into clarifying. Mildred says that she’ll turn her into a frog. “A frog! You turn me?” she cries, sounding oddly Estuary in this line. Ethel invites her to try, pointing out that Mildred knows nothing, and is a misfit just like her cat.
Everyone else encourages her too, and it’s hard to know who wants to see her fail and who else is just as sick of Ethel as Mildred.
So, Mildred tries. The result is not a frog. It’s a pig. And I’ve got to say it’s kind of satisfying. [bat: It truly is.] [JC: Mm, bacon! Wait, was that too dark?]
Ethel demands that she be turned back but Mildred doesn’t know how.
At this point, HB arrives by way of a very 80s swirling overlay on a static background. After being brought up to speed, she tells Mildred to go to the library and look up the reversal spell, taking Ethel the pig with her.
On the way to the library, Mildred has to drop by Miss Bat’s class to excuse Ethel from chanting (that’s a class, apparently). [bat: Yes, I teach chanting. Chant chant chant!] The class laugh their heads off at the sight of a pig.
Wait. So… the kids in this class would also be first years, so how many people were playing terror tag? I assumed the whole year. Apparently not. So, was terror tag lunch or a weird kind of PE lesson with no teacher? *shrugs*
Ethel is upset by this and Mildred, because she’s a nice girl, reassures Ethel, saying that they were just surprised to see a pig, and pigs do smell a bit (oh, that ancient trope, I’d forgotten about that one). Ethel tearfully calls Mildred horrible, and Mildred bolsters her confidence a bit.
This does not make Ethel any nicer to her, by the way.
At the library, Mildred manages to find a reversal spell, while Ethel chivvies her along. A bunch of nonsense words later, and Ethel is back to normal, threatening Mildred with expulsion, because Ethel’s dad is on the board. Ethel is just a less toxic Draco Malfoy, isn’t she?
We cut to class, where a picture of the Grand Wizard is being passed around where all the class are swooning over it, some even kissing it (I see you, Susan Pevensie). HB strides in, snatches the photo and tells everyone to stop being silly. HB can’t help but swoon a little over the picture (it’s probably one of the least flattering pictures of Tim Curry ever, just so you know), and proudly says that this class has been selected to put on a performance for the Grand Wizard at Halloween.
It’s a broomstick display. The best eight flyers will be picked after tryouts on Friday. HB singles Mildred out to say that she really needs to be improved if she’s to have a hope of being even considered.
And with that, class is over.
Damn, I wish I had 3 minute classes.
[bat: Also, please note HB starts to leave the room, stops, comes back, grabs the photo of the Grand Wizard, and clutches it to her bosom over dramatically. Love it.] [JC: She totes flicks her bean to this photo. So, uh, try not to think about the girls kissing it, and the implications of that.]
We cut to the bathrooms in the morning, where one student asks where Mildred and Maud are. Someone says they got up early to practice flying. This pleases the asker, saying that HB can’t say they’re not trying. This comment causes Ethel to stomp off in a huff.
We cut to tryouts, which I’m pretty sure is reused footage from the flying lesson. Maybe they’ve changed the backgrounds on the green screen, but every time I see Susan Pevensie glide by, it pings with me.
(Also, the outdoor cloaks are adorable too. I want a My Little Pony in those colours.)
HB comments that the Sinister sisters have “good loop-the-loop”. We don’t get to see that, of course, because budget! (I think Susan is a Sinister, rather than a Pevensie, but I’m not updating my brain.)
I’m not really sure why HB is grading this instead of Miss Spellbinder, but she is. Spellbinder is there in an admin capacity, making notes of HB’s grading.
“That’s very good. Who’s that? … Oh. Mildred Hubble. Four.”
In response, Miss Spellbinder gives a disappointed look.
And we go straight to the results. The flyers are:
Zoe Chant-Vestry is not present. Ethel reports that, “Miss Cackle says she’s been at the laughter potion again.” Once more, Ethel really nails the delivery. She’s so the Ethel I pictured when I read the book.
This means the next person down gets to step up.
Guess who? It’s Mildred. She’s delighted, and HB actually acknowledges that Mildred’s hard work and dedication have not gone unnoticed. HB then clocks the repair made to Mildred’s broom where the handle had snapped and asks why Mildred isn’t using her spare. Mildred says it’s the only one she has. Ethel immediately offers her spare.
She runs to fetch it and takes a moment to shout at her cat, to prove that she’s an asshole. Then she casts a spell on the broom that will trigger disaster when she utters the word “faster”.
Oh, fuck me, we’re back with Bad Cackle’s gang, and they’ve got literally nothing to do other than remind us they exist. They play a more electronic speeded up instrumental of their earlier song while the other witches dance around them and Bad Cackle reminds Delilah that their Great Plan still exists.
We cut to Halloween night with the girls getting ready in the bathroom. Someone comments that Susan Pevensie’s hair looks great enough to stop her getting into heaven, she says it’s a super slime rinse she uses. It’s supposed to parody a shampoo commercial, but I actually used to use that shampoo, for the simple reason that it was two colours. I wonder what happened to that brand. I think it might have been V05.
Maud worries that her nose will never get big warty and sexy like the novelty one she’s wearing. This baffles me. Bad Cackle wants to make everyone ugly and evil, that’s the right witch to be, but these “good” (?) witches think ugly is sexy, so… like, they’re halfway there, Bad Cackle. And Mildred’s already turned a student into a pig, so maybe Bad Cackle and Good Cackle’s policies are more aligned than either think?
Ethel strides over and presents her broom, reminding Mildred to look after it because it was a birthday present. Mildred vows to take care of it. “And it will take very good care of you,” Ethel replies with an evil glare. Mildred is too gosh darned trusting.
And here is where the location budget was spent: an exterior shot of the castle, with lights putting a smiley face on it, fireworks and smoke behind. [bat: It’s like if RHS was done on a real drastically tight budget set, ha ha.] [JC: “Over at the Bootleg Jack-o-Lantern Place”? Because I think the “smiley face” is meant to be a jack-o-lantern face, Dove.] [Dove: *shakes head* See, this is what I mean when I say England has no clue how to Halloween. We don’t even recognise the signs!] [bat: Poor Dove, I should make her a SIGNS OF HALLOWEEN handbook.]
The girls all have their capes on inside out now, I guess luminous green is a special occasion colour. I’m not bitching, it’s a great colour. Remember, my school uniform was bottle green. Why not a biting green like this? [bat: Acid green!]
Mildred asks Maud where the Grand Wizard is, and Maud says wizards are always late. [JC: False. A wizard is never late. Nor is he early; he arrives precisely when he means to.] [bat: Thanks, Gandalf!] This prompts HB to yell at them to stop talking. Good Cackle looks at her niece and winces.
“Ya think big daddy wiz will like the rags?” She asks, between snaps of her gum. Why the fuck is she here? She serves no purpose at all. Why do you exist Donna? I hate you.
What I don’t hate is the very pointed, “No,” she gets in response from Miss Spellbinder.
SUDDENLY! From the skies comes a large 80s style sanitary towel!
The sanitary towel is the Grand Wizard, flying using a cloak, not a broom. Can we just talk about how creepy he is as a character? I was scared of him as a kid and just hated everything about his character when I grew out of the fear. I always assumed that I just hated Tim Curry, but I saw Clue not long after and found him to be the most charming character in it. I found him funny in Home Alone 2. But in this? I get the kind of vibes of that old dude your mum tells you never to talk to. Is this just me? [bat: …I don’t get that vibe at all, Dove.] [JC: I just get the vibe that he’s supposed to be like some sort of weird teen idol, but (as much as I love Tim Curry) they seriously miscast the role. In my own personal head canon, I’ve decided this is Dr. Frank-n-Furter’s twin brother, who sold out for fame and fortune. Also, I think someone forgot to tell Curry he was singing to a bunch of 11 year-olds, so he tried to ooze sex appeal, then realized who his audience was and tried to abort. But by then he’d already passed out the ‘shrooms to the kids, accounting for the weird hallucinogenic music video we’re all about to be trapped in.] [Dove: Headcannon accepted.]
After a brief greeting, he leaps straight into a song. Everyone loves this song except for me. I’ll respond well to it because I love this movie and it’s part of the movie, but this song sucks. And I’m sorry if I’m about to lose all my friends over this. (I feel Wing can’t leave me, but bat and JC might.) [bat: I will shade you for hating it but I hate the theme song because once it plays it takes weeks to get it out of my head. UGH. IT’S PLAYING IN MY HEAD RIGHT NOW AND I DIDN’T EVEN WATCH THE MOVIE.] [JC: But Dove, anything can happen on Halloween! Your sister could turn into . . . strangebat! Seriously, though, I don’t hate the song, but I’ve also never understood what the big deal about it is. Having said that, has anybody seen my tambourine?]
Good Cackle tries to greet him formally but sees that he is bored by that, and they move on to the broomstick display, with Ethel taking lead.
The first few manoeuvres go off without a hitch, but when Ethel utters the word “faster!” Mildred’s borrowed broom starts trying to buck her off. For some reason, everyone else loses control too. I think in the book she careens wildly and causes people to crash by hitting or trying to avoid her. Again, budget, so instead, Mildred’s broom gives a feeble wiggle, everyone screams, and we’re getting a lot of neck-up shots to hide the lack of stunt work.
The girls fall to the ground while the Grand Wizard looks offended. And for the final icing on the cake, Mildred falls to the ground, improbably balanced sideways on her broom on her chest. I need a screen cap to show how ridiculous this is.
Once she crash lands – nobody is injured, by the way, despite the allegedly huge fall – she immediately gets to her feet and starts apologising. HB is livid, and even Good Cackle is furious. She sends Mildred to bed with no supper and she is to report to Good Cackle’s office first thing tomorrow.
Grand Wizard: If these are the witches of the future, I hate to think what the future will bring.
He then fucks off to another “gig” to attend. He flies off on his giant sanitary towel, heedless of Good Cackle’s offer of a wonderful feast.
“Hawt diggaly,” opines the completely pointless Donna. (I think maybe hot diggarty, but who fucking knows with that painful accent.) [bat: It’s “hot diggity“.] [JC:No diggity, no doubt.] Seriously, why is she here?
We cut to Mildred crying in bed, cuddling her cat. No matter how poor the quality of the movie, you can actually see her tears falling onto her hand and cat. If you don’t feel sorry for her, you have no soul. [JC: I AM TOO DISTRACTED BY THE HUMAN PERSON STANDING OFF CAMERA MEOWING TO FEEL SYMPATHY!]
Mildred berates herself for not realising that Ethel would curse the broom, and doesn’t know how to prove it, since everyone will think she’s just her usual hopeless self. She’s certain that Good Cackle will expel her tomorrow.
There’s only one thing for it! WE’RE RUNNING AWAY!
While she gets her stuff together, I notice there’s a poster of David Bowie on the wall. Makes sense. He might even be a witch. If he was the Grand Wizard, that would both make sense to me, and I’d be less afraid of him. [bat: For some reason I never noticed that Bowie poster until a recent viewing a couple of months ago. It’s like when I watched The Inbetweeners and suddenly there was a Lost Boys poster in the student lounge.]
Mildred sets out and it’s day time now. Maud wakes as she leaves… wait, wut? So, Mildred was tearfully expositing out loud that she was going to run away, all the while a bunch of other girls slumbered in their dorm, but not in their beds, which were empty when Mildred got her stuff together. But then Maud was in bed just in time to see Mildred’s bed was empty?
Ok, sure. That makes sense.
Mildred takes to the air on her old broom, and in the background is a “sad” reprise of the opening song, Growing Up, which is really hard to make sad, since it’s the 80s, and the only option is ELECTRONICA!
After much serene flying (if you ignore the fact that Tabby clearly wants to jump off her lap, to his death, if you believe the green screen [JC: Meow. Rowr. Growr! RAAAAAHR! Hire me, Hollywood!]), there is the sound of cackling below.
Cut to below and Bad Cackle and her gang are making a potion. What’s the point of the potion? IT JUST MAKES THEM LOOK EVIL, OK? WITCHES MAKE POTIONS… BUT DIFFERENT POTIONS TO OUR HEROINES. JUST STOP ASKING ME QUESTIONS, OK? THERE’S A REASON. YOU’RE JUST NOT SMART ENOUGH TO UNDERSTAND IT.
Mildred is now on the ground, hiding behind a tree, as best you can on a foggy October morning in the British woods, when you’re wearing luminous green.
Bad Cackle finally exposits the plan. She has a box. She’s going to turn the girls into toads and put them in the box. Step 3, obviously, is profit.
(How does a school with no students equal profit? FUCK YOU FOR ASKING, JUST SHUT UP AND ENJOY THE FUN HALLOWEEN MOVIE, OK?)
Just in case you missed the ludicrous plan that was explained literal seconds ago, Mildred recaps it for us. In a single sentence. There is some high-level plot going on here.
Mildred rummages in her spellbook for some kind of counter and finds a spell to turn them into snails.
I really don’t think Mildred and the bad witches are on set at the same time. Their woodland is completely different, and they never share a screen. Also, pretty sure Mildred’s shots are from the morning, whereas the others are afternoon. Budget, again.
The witches notice her and announce “We’re coming to get you!” before setting off at a glacial pace towards Mildred. Because they’re villains/idiots, they play with their food (some fireworks are set off behind Mildred, at a safe distance so she can’t be hurt), giving her plenty of time to complete her spell.
She drops the snails in the box intended for the students, and flies back to the school.
[JC: Wait. Wait wait wait wait. Those are snails?! I’m sorry, do British snails look different from American snails? Because those are not snail shells. I would expect to see hermit crabs inhabiting shells like that. I would expect those shells to wash up on the beach. Those are not the snail shells I am used to seeing, and I am therefore confused and angry. Someone please find me an “old man yells at cloud” font to express my confused anger with.] [bat: Snails differ in various parts of the States, as well as in Europe.] [Dove: I never thought snails would be the bone of contention. They look pretty normal to me.] [JC: Because Dove, who claims to be the good twin, and bat, the Devil’s Cabana Girl, demanded it in the group chat, I present to you the difference between proper snails and whatever the fuck was depicted in this movie:]
[bat: *sniffles* A THING OF BEAUTY THAT WILL INFORM GENERATIONS TO COME!]
She sneaks into the school, and runs straight into HB, who gleefully grabs her by the arm and frog-marches her away.
Behind her, Ethel sing-songs about how Mildred’s in trouble. Maud asks her what that’s all about, and Ethel, being a smug idiot, gloats about her broom. Other students appear at the sound of raised voices, and they are not happy when they realise that Ethel is the cause of their ruined Halloween celebration.
Cut to Good Cackle’s office, where HB is lobbying for expulsion without a hearing, but Good Cackle at least thinks Mildred should get her say.
Mildred tells the sorry tale, and when she mentions that Bad Cackle looks just like Good Cackle “only sort of ugly”, and when Mildred drops the name “Aggie”, Good Cackle says that it sounds like her evil twin.
They get the snails on the desk and Good Cackle wonders which one her sister is. HB savvily says that Bad Cackle can either step forward and identify herself, or remain a snail.
Good Cackle asks Mildred to change them back. Mildred isn’t sure she can. “Of course you can, dear,” Good Cackle says in a nurturing tone. After a pause, HB utters the same phrase through gritted teeth. She then adds that she’s been very hard on her, but she wouldn’t have bothered if she didn’t think Mildred had potential.
Hrmm. Yeah, no, fuck that, Millie. She’s mean, she likes being mean, and your potential is irrelevant. Some teachers just seem to find that one kid per year to destroy. (Shout out to Mrs Martin and Miss Joyce. You were even worse than my mother during my formative years. Be proud, you bastards, that’s a hell of an achievement.) [JC: Shout out as well to Miss Nishahara, my first-grade teacher, who berated me for putting a Valentine’s card inside an assignment to surprise her; forced me to repeat the word “banana” in front of the class so she could mock my accent; and repeatedly made me look like an idiot in front of the class whenever I followed her instructions too literally/not literally enough. I was six, for fuck sake. Thanks, you suck!]
Mildred successfully reverts the spell – you’d think that bit where Ethel was turned into a pig earlier was foreshadowing to her knowing how to reverse a transfiguration, but no, it’s a completely different spell. [bat: HOW DOES MAGIC WORK?] [JC: WHAT ARE THE RULES?!]
Oh good, the screaming and shrillness is back. While Bad Cackle rages about how her plans have been thwarted, her gang just shrieks and hisses and oh god, just kill them.
Uh, is nobody worried that the bad witches outnumber the good ones here? Or are HB and Good Cackle so badass that even if they try something, the good guys win? If so, how was the great plan supposed to work? I mean, objectively speaking, all Mildred has done is saved them having to travel to the school, right?
Or are we just relying on the fact that these witches, when presented an opportunity to do bad things, will just endlessly talk about the bad things they plan to do, and actually prefer howling and hissing to actual action?
In which case, has Mildred actually saved the school from anything beyond noise pollution?
Finally Good Cackle tells them to shut up. She tells Mildred to run along and get some rest. The she shouts at Bad Cackle and her gang.
Cut to Mildred lying on her bed and being awoken by Maud, who says that Mildred needs to come to the great hall. Maybe brush her hair first. [bat: MAUD IS CARRYING A GIANT FLYING FOX. HOW DOES NO ONE NOTICE THIS??] [JC: Is this her familiar? I noticed the bat, bat. Er, I noticed the flying fox, bat. Fuck, we’re having another Doctor Strangebat situation here, aren’t we?]
She walks into the great hall and the Grand Wizard is there. He instructs Mildred to come towards him, and the entire school breaks (approx. 30 kids) into cheers and applause.
The Grand Wizard gives the most assholish speech ever. The long and short of it is: Mildred is super and you all suck hairy donkey balls for not showing her respect. But not the Grand Wizard for being disgusted with her flying and fucking off to another party. That’s totally ok. BUT EVERYONE ELSE HERE NEEDS TO DIE OF SHAME, YOU HEAR ME?
Just fuck off, you creepy old nonce. [bat: Tell us how you truly feel about the Grand Wizard, Dove.] [JC: I want to yell at you for telling Tim Fucking Curry to fuck off, but I’m laughing too hard to do it.]
He announces that the rest of the day should be given as a half-holiday, which Good Cackle approves of. He then asks what she’s going to do with her half day. Mildred says she’s going to practice her flying. “Would you like to practice with me?” offers the Grand Wizard.
Mildred is delighted by this, instead of creeped out. So win!
They take off on his giant sanitary pad, and have a laugh about how she’s not the worst witch any more. Good fucking Christ, is there a witchy newsletter that gossips about students? How on earth did he know that Good Cackle called her that in the privacy of her office?
There’s a shot of Bad Cackle and Delilah trying to thumb a ride to Alabama… WHY ALABAMA? [bat: Pretty sure they’d be burned at the stake in Alabama…] [JC: Nah, we didn’t burn our witches. We left that to the Europeans. We mostly hanged them. And pressed them with stones. And left them to rot in prison. But, you know. Humanely.]
Oh well, that’s done.
Ok, that was still awesome. It falls apart at the faintest poke, but I literally don’t care. The book is awesome, the movie is awesome, the howling I can live without, but overall, good fun.
I was about to say I’d love to see a remake of this with some money behind it, but I’m not sure I would. I’ve not watched any of the endlessly rebooted TV shows, and they surely had a smidge more money than this one (or, what money they had, they didn’t throw at Tim Curry).
Actually, maybe a reboot would be underwhelming for me. This has all the nostalgia feels attached, but it’s still a story for children. It’s not Potter – though it may well have been the groundwork – it’s not something that has layers for the kids and their parents. It’s just a simple story about how things will get better. If they made it bigger than that, it would probably end up like Howl’s Moving Castle. I know people love that movie, but the book was a simple story about a curse, an arrogant bastard, and a sassy girl. I hate the movie has removed the arrogance and sass, and, for that matter, the curse, in order to tell us that war is bad. I was happy with the story as it was. [JC: This is where you should worry about losing me, Dove. I love me some Howl’s Moving Castle. Then again, I’ve never read the book. I might feel differently if I had.] [bat: I have read the book AND watched the movie and I love each as the individual works they are.] [Dove: Read the book, but be aware they are two totally separate stories that just happen to have the same character names. I think you end up loving the version you consumed first. I really want to one day see the movie of the actual book.]
Grade: A+ (for nostalgia and fabulously earwormy songs)
[bat: This is still easily one of my top ten Halloween favorites and even if I watch it other times during the year, I will always watch it during October because tradition. It’s cheesy AF but it presented a radically different view from the school I knew – ironic, since I attended private and not public school – and not only that, but it was magic and it blew my child mind when I first saw it. As I grew older and realized how cheesy it was and how bad the shoe string budget was, I realized it might be akin to a no-budget video productions class project we would have made in high school, but it succeeded in making me believe magic was real and plausible as a child, so who cares. Even if the green screen effects are totally laughable they’re still practical and better then the CGI bullshit produced these days. Plus, I think Faurzia is our generational witch, she got to “be” what we all wanted, twice over.]
[JC: I never saw this as a child. Even if I had been aware of it, I never would have been allowed to watch it, because witchcraft. Witchcraft is Satanic, and not something we good Christian folk should have in our homes. Yeah, my mom was a little . . . well, sometimes I think she was written by Stephen King. At times she makes Carrie‘s mom look tame by comparison. I also wasn’t allowed to trick-or-treat or celebrate Halloween in any way after the age of five. When she caught me looking out the window longingly at some trick-or-treaters when I was eight, I got yelled at for wanting to participate in a Satanic holiday. Point is, besides bumming everyone out, I didn’t know this movie existed until I was in my twenties and going through my “hunt down and watch everything I can find that had Tim Curry in it” phase. That . . . that’s a phase we all had, isn’t it? No? Just me? Okay. Anyway, I think you have to have that childhood nostalgia in order to really enjoy this movie. I liked it fine the first time I saw it, and I like it fine now, but coming to it as an adult does a great disservice to my enjoyment of it. So many people have these fond childhood memories of watching this, and can recite the song on command, meanwhile I had to sit alone in the hall outside my classroom while the rest of the class sang Halloween songs during music class. I’m bitter, and I’m bummed I didn’t get the chance to discover and possibly love this as a child, because in all the important ways, it’s mostly wasted on me as an adult. So, to sum up, yeah. I like it okay, but wish I had the excitement of childhood nostalgia coloring my memories of it.]
[bat: We all know the star of my own personal “hunt down and watch everything I can find that has X in it” phase and it wasn’t Curry. *snort* But I agree. Stuff like this, if you didn’t find it during childhood, some of that magic is lost and that’s a bummer. I can sympathize, JC; I wasn’t allowed to watch Labyrinth because A) Bowie and B) The Dark Crystal fucked up 2-3 year old me, so my mom was like NOPE. But by the time I saw it, it didn’t impact me the way it had so many others. She also didn’t let me watch Disney’s Bambi, so finally I saw that in my early 20s and was like, what the fuck was all the fuss about? My mother just can’t handle watching animal movies, that’s all.]
Summary: Thirty spine-chilling stories from around the world provide plenty of shivers in this spooky collection. Curl up with old friends like Washington Irving’s “Guests from Gibbet Island” or Charles Dickens’s “Chips.” Or make the acquaintance of “The Skull That Spoke” and “The Monster of Baylock” – but beware of spectral visitors like “The Blood Drawing Ghost.” This exciting mixture of classic and contemporary tales from Mexico, China, Poland, Nigeria, and other lands near and far is perfect for hair-raising reading!
We’ve reached the midway point of these recaps and we’ll largely be getting a break from the U.S. and Britain (except for one story). (Part One. Part Two.)
For this round of five chilling tales of international terror, we’ll be exploring a haunted house I think Wing may enjoy, an early variation of an infamous creepypasta, a bittersweet Hans Christian Anderson story, and we’ll also meet a witch who saves the day via the power of looking FINE.
Title: Batman Legends of the Dark Knight Annual #6 – “Executioner”
Plot: Alan Grant and Barry Kitson
Script: Alan Grant
Art: Vince Giarrano
Colors: John Kalisz
Separations: Digital Chameleon
Letters: Willie Schubert
Assistant Editor: Chuck Kim
Editor: Archie Goodwin
I would like to apologize because when I first chose to review this comic, I meant it in regard solely to the COVID-19 Pandemic and the government’s willingness to reopen even at the cost of peoples’ lives. With the death of George Floyd, all the protesting that has emerged in response to that and every other police brutality death, and the response of the police, this story became so much more relevant.
As a reminder I am still taking recap slots for donations of $25 or more to help with Black Lives Matter, the Yemen Crisis, the Philippines Crisis, and what’s going on with the indigenous nations in this country. You can find the information here along with a list of books that haven’t yet been recapped on Point Horror.
Time for another comic recap. I was on the fence about whether to post this here or on Nostalgic Bookshelf, but I figured Batman comics can go under horror by default.
Summary: Thirty spine-chilling stories from around the world provide plenty of shivers in this spooky collection. Curl up with old friends like Washington Irving’s “Guests from Gibbet Island” or Charles Dickens’s “Chips.” Or make the acquaintance of “The Skull That Spoke” and “The Monster of Baylock” – but beware of spectral visitors like “The Blood Drawing Ghost.” This exciting mixture of classic and contemporary tales from Mexico, China, Poland, Nigeria, and other lands near and far is perfect for hair-raising reading!
Our next round of stories mostly take place in Britain and Ireland, with one in the West Indies and the last in the U.S.A. by Washington Irving. Not much to say except there’s more awesome art by Jacqueline Roberts, we get yet another strange variant of vampire, and *loudest sigh* one character is described as a beauty with “ebony skin” so there’s that.
As a reminder, everyone, I am still taking recap slots in exchange for a donation of $25 or more to any program, fund, or campaign helping with Black Lives Matter, the Yemen crisis, the Anti-Terror Bill in the Philippines, or the struggles of the indigenous American nations such as the Navajo and Hopi. You can find my info here as well as a list of books I currently own that haven’t been recapped yet.
Title: Nightmare Hall #17: Last Breath by Diane Hoh
Summary: Finding her seemingly perfect life haunted by a series of strange occurrences, Cassidy is frustrated by rumors that she is losing her mind, until a fall down the stairs and an encounter with poison [JC: Lies! There was no poison!] prove that someone wants Cassidy dead.
I don’t remember anything about this one, so it’s highly likely I never read it back in my actual teen years. It opens with a prologue, though, and possibly bad guy pov, and we all know how I feel about those, so things are off to a great start even without any memories of it. [JC: At least this one is actually written by Hoh rather than *shudders* Nola Thacker. I did read it back in the day, but couldn’t remember how it played out.]
Title: Goosebumps Series 2000 #19 – Return to Ghost Camp, a.k.a. “Everybody Loves Ari”
Author: R.L. Stine
Cover Artist: Tim Jacobus
Tagline: Another summer. Another spirit.
Summary: A big yellow bus roared to a stop in front of our house.
The bus doors opened.
“Going to Camp Full Moon?” the driver snarled.
I raised my eyes to his face – and screamed.
His face was red and swollen – and covered with fleas. Angry, dark blotches swelled on his forehead – raw, fresh flea bites, dripping with yellow gunk.
Okay so I busted my ass to get this recap done in time for the first full moon of summer, but I regret I didn’t start sooner.
“Return to Ghost Camp” is the second sequel from the Goosebumps Series 2000 books, but unlike “Return to HorrorLand” this is NOT a direct sequel. We’re not returning to Camp Spirit Moon and we don’t find out what’s been happening in the lives of Harry and Alex Altman since “Ghost Camp.” And the protagonist in question, Dustin, is kinda a step down from the chemistry Harry and Alex had. I know, I know, I was disappointed too when I found out after first reading this book. I purchased it knowing nothing about the plot beyond the title.
However, while “Return to Ghost Camp” isn’t as great as its predecessor, it has its own merits. Our big villain is almost as mysterious as the previous antagonists and there’s a lot to interpret from its ending. And I must say Jacobus’ cover is probably one of the best he’s done for the 2000 books, eschewing the delightful humor of the original “Ghost Camp” to give us a rather creepy looking ghost.
[Wing: Camp Full Moon. That cover ghost looks like a partially-transformed werewolf ghost. WELL I HAVE HOPE.]
Tagline: [Dove: Sorry guys, I literally can’t find one. JC?] [JC: All I could find was “Be afraid. Be effing afraid.” Which is pretty effing pathetic, if you ask me.]
Summary: After her mother’s mysterious death, Nica begins to suspect that the talking, red-haired doll her visiting niece has been playing with may be the key to recent bloodshed and chaos.
After the disappointment of Seed (JC, you ok, hun? [JC: Okay about what? There’s just a big blank spot where my memory of that recap should be. Thanks for protecting me, brain!]) I put off watching this. I was so pissed off. I didn’t even read about it. I didn’t believe people who said “Chucky has gone back to his roots.” And, retrospectively, I was right. The Lakeshore Strangler’s roots would be strangulation, which is still absent.
But when I finally did, I was delighted. And had I known what a delight Fiona Dourif was, I’d have watched a lot sooner. (If you don’t love her as Bart in Dirk Gently, I think you’re probably broken. Though I get it if you can’t bring yourself to watch something created by Max Landis.) [JC: That’s not a thing I’ve seen. My introduction to Fiona was on True Blood. I knew she was in it, I had no idea what she looked like, but as soon as I saw her, I was immediately like, “yup, that’s gotta be her.” She looks just like her dad. But while I’m not sure whether or not we would call Brad conventionally attractive (I personally find him attractive, but I gravitate toward people with an interesting look as opposed to your more blandly pretty movie star types), Fiona is fucking gorgeous, and a total badass in this movie. I honestly think she was one of the girl crushes that helped me realize my bi-ness.] [Dove: I would say that he was… *thinks* maybe “delicately beautiful” in Cuckoo’s Nest, and since then has been variations of attractive since then – but you’re right, he has a more interesting look than classically handsome. And Fiona is the same. She’s oddly appealing as Bart, a woman who hasn’t washed or brushed her hair for years and is most often covered in blood. And she’s delightful as Nica too.]
I have only seen this and Cult once, both of them were watched back-to-back, so I remember very little about either of them.
Title: Goosebumps #1 – “Welcome to Dead House” a.k.a. “They’re Coming To Get You, Amanda!”
Author: R.L. Stine
Cover Artist: Tim Jacobus
Tagline: It will just kill you.
Summary: Look Alive!
Amanda and Josh think they old house they have just moved into is weird. Spooky. Possibly haunted. And the town of Dark Falls is pretty strange, too.
But their parents don’t believe them. You’ll get used to it, they say. Go out and make some new friends.
So Amanda and Josh do. But these new friends are not exactly what their parents had in mind.
Because they want to be friends…
This is one recap I definitely have the energy for, because this is where it all began. The very first Goosebumps book by R.L. Stine, commissioned back when Scholastic didn’t believe the series would sell enough. Boy were they wrong! [Wing: Stine did an excellent job of creating stories people love even now and reaching kids with horror, and I love that, no matter how strong our feud.]
As the beginning of the franchise, “Welcome to Dead House” gives us a look at how Stine originally established many of the tropes he’s run into the ground over the last three decades, but before he exaggerated the shit out of them. Our main character and narrator, Amanda Benson, is a girl dealing with her bratty brother Josh and her parents not believing them about the weird shit going on in their new home.
Title: Black Orchid #14 – “Glamour’s End” a.k.a. “Annis Get Your Gun!”
Writer: Dick Foreman
Penciller: Rebecca Guay
Inker: Stan Woch
Colorist: Digital Chameleon
Letterer: Clem Robbins
Editor: Lou Stathis
Assistant Editor: Alex Alonso
Cover Artist: Dave McKean
Summary: In England, Black Orchid encounters a formidable foe who ensares her with a powerful “glamour” spell.
So it feels like I’ve been on creative burnout for I don’t know how long and I’m freaking sick of it. It took me forever to finish a couple of other non-Point Horror related projects, and with this ear infection thing I’ve been dealing with I haven’t had any energy to do anything. I think I’m having a depressive episode and have to get in touch with my therapist.
I’m starting to believe my problem is I’m still expecting too much of myself with this website and am forcing obligation on myself to have stuff prepared for holidays and shit, even if I don’t have the energy or particularly care about a certain book.
That out of the way, I found it’s been easier to focus on minor stuff so I’m doing a recap of one of my favorite issues from one of my favorite titles about one of my favorite heroines.
Title: Goosebumps Glow & Tell Story Cards, a.k.a. “‘BUMPS IN DA HUUUUUUUUUUUUUUUT!”
Author: R.L. Stine
Cover Artist: N/A
Tagline: Get Goosebumps At Pizza Hut
Summary: Collect All Three Sets!
Keep your friends spellbound! Read them the terrifying tales on every creepy card – even make up your own endings! Project scary shapes on any dark wall! Then play the Goosebumps Bone Yard Board Game!
One available every other week with the purchase of a kids’ Pack! Includes personal pan pizza and 16oz soft drink. Get your Glow & Tell cards while supplies last between April 28 and June 22.
SURPRISE! HAPPY BIRTHDAY WING! I found this (near) complete set of Goosebumps memorabilia on eBay and thought it’d make an excellent gift recap for the site for Wing’s January birthday.
(Wing, there are mentions of spiders.)
I completely forgot about this but back in the 1990s, when Pizza Hut apparently still did those “Pizza Head Show” commercials (which I also forgot about) and gave away stuff like McDonald’s and Burger King, they partnered with Scholastic to do shit with Goosebumps. Actually they also partnered with Taco Bell, of all places, which are the giveaways I really remember. I think I did own the Goosebumps cup from Pizza Hut.
Wait does Burger King still do toys? Anyway, the Glow & Tell collection includes twelve bones with a short story printed on them and holes you can illuminate to cast scary shapes on the walls.
The stories are about Curly the Skeleton, the Abominable Snowman of Pasadena, and the Scarecrow from “The Scarecrow Walks At Midnight.” The stories are structured so you can come up with the endings.
I’m gonna structure this recap by quoting each of the twelve stories and providing my own ending plus space for Wing to provide her own endings too if they want.
The pieces are also designed to function as a make-shift board game, the “Goosebumps Bone Yard Board Game.”
[Wing: This is an adorable campaign. I’m delighted by it.]
Title: Spinetinglers #16 – We Wish You A Scary Christmas, a.k.a. “I’ve Got Santa In My Basement”
Author: M.T. Coffin, a.k.a. George Edward Stanley
Cover Artist: ???
Tagline: Not A Creature Was Stirring…
Summary: It’s Every Kid’s Worst Nightmare!
There’s a rumor going around that Santa Claus will not be making his rounds this year… and worse yet, he may be gone forever! Santa Claus is missing… and no one knows where he is.
But somewhere, deep in a dark basement, a figure lies hidden, helplessly held prisoner by some strange people. And if you dare to try and set the prisoner free… beware! You may be spending your Christmas trapped in that same dark basement… with no New Year in sight.
You guys remember the Spinetinglers review I did for last Christmas, the magnificently underrated “Snow Day?” Well I’m following up with the OTHER holiday-related entry in this series. Unlike “Snow Day” this is explicitly about Christmas and it’s not as dark as “Snow Day.” But I know Wing always has some keen observations to make on Santa-related fiction so I’m wondering how she’ll feel about this one. [Wing: Huh, I’ve never felt like I have keen observations about Santa, but I’m well pleased by this compliment. Thank you! And as always, we’re celebrating specific holidays late around here, but that’s just how we roll.]
The drawing point for this novel for me would have to be the empathy the main characters have for their friend.
Title: Graveyard School #28 – “The Spider Beside Her,” a.k.a. “The End”
Author: Tom B. Stone, a.k.a. Nola Thacker, a.k.a. D.E. Athkins
Cover Artist: Mark Nagata
Summary: Along Came A Spider…
And Sat Down Beside Her…
And They Became Friends?
What has eight legs
And spins webs of silk
And sucks up people
Like they were glasses of milk?
Ask Ari Spinner. She likes spiders. They don’t make her scream. They make her smile. She and the spider are best friends. And there’s nothing she wouldn’t do for a best friend.
In all seriousness Wing if you really are able to comment on this recap despite your arachnophobia it really means a lot to me. I was able to add two pictures, one of Ari throwing a spider and another, well…
I swear I’ll make it up to you.
[Wing: If this wasn’t my beloved Graveyard School, and the end of it at that, I doubt I’d even try to make it through this, but since it is, I’m giving it a try. I love this series, and I love Jude’s recaps, and I’m sad to say good-bye to this world.]
Here we are.
The last of the Graveyard School books. I’ve been recapping this series for two years and it’s finally come to an end. No more Park. No more Stacey. No more puke perfect Polly Hannah. No more Dr. Morthouse and Basement Bart. No more recollections about Ms. Stoker or the Skeleton on the Skateboard or the Ghost in the Boys’ Bathroom.
Title: All Hallow’s Eve a.k.a. “Mighty Morphin’ Pumpkin Rangers”
Writer: Mitchell Perkins
Artist: John B. Lang
Letterer: Vickie Williams (R.I.P.)
Nesbitt’s Abbey towered over the tiny village of Wicklow, Ireland. Isolated, the abbey was occupied by a group of farming monks.
For years the villagers of Wicklow felt safe as they slumbered off to sleep — watching the monks’ late-night candles as they kept their nocturnal vigil over their precious books and scrolls.
Then, on a fog-shrouded night, something foul and nasty entered the abbey. One by one the old monks were driven from Nesbitt’s Abbey.
Now Nesbitt’s Abbey is haunted by Sam O’Hain and his evil hobgoblins. Will the evil goblins ever be driven from the old abbey?
John the McCormley children: Lauren, Trey, Ashley, and Rachel as they are told the story of the very first Jack O’lantern.
It’s a tale for…
All hallow’s eve.
Mainstream comics have been pretty awful lately. I still haven’t been able to reach my therapist to discuss how badly I reacted to DC’s “Heroes in Crisis” and Marvel’s currently a bunch of assholes for firing Chuck Wendig because he wasn’t “Civil” to those Comicsgate morons. So I felt like focusing on some obscure and independent stuff to try and take my mind off things.
The above was written last year when I started this draft and, honestly, things haven’t changed that much so I stand by my previous statements.
“All Hallow’s Eve” is another obscure gem I discovered back in the 2000s, created by Forest Light Productions through Innovation Comics. Innovation was a company that did a lot of interesting stuff like adaptations of Anne Rice’s books, the Child’s Play movies, comic tie-ins for Quantum Leap and Lost in Space, and they even did the phenomenal “Nightmares on Elm Street” miniseries. It was a six issue comic that bridged the gap between “The Dream Child” and “Freddy’s Dead.” That’s not even mentioning the gorgeous graphic novel they did of “Phantom of the Opera.”
When I purchased this, I had no idea what it was going to be about. I couldn’t find any information about the plot or any scans of the interior pages. Nothing! All I had to go on was the name and cover. This has a very 1980s animated movie vibe to it and offers a rather unique take on the jack o’lantern myth. It feels like the sort of thing Don Bluth would’ve worked on, of course I’m not an expert on his work.
I’ve tried to find out more about this graphic novel, but there’s virtually no information anywhere. I got in contact with former Innovation president, David Campiti, to see if he could direct me to the creative team. Unfortunately he said he lost touch with Mitchell Perkins and John Lang, and poor Vickie Williams died a few years ago. So once again it’s down to me to tell the world about stories like this, because God knows no one else will.
Summary: Vampirita, a series of novels about an astronaut vampire, has attracted a huge following at X – and none more so that Torrey and Terri. The next installment of the series will be released in a fortnight, and until then, fans can audition to star in the next book! Terri and Torrey start to build projects to win the auditions, but every time one is finished, it gets sabotaged. Naturally, the main suspects are two members of a rival novel’s fanclub – TQ, a mysterious and riddle-talking guy with an affinity for multicultural cuisine, and Trace, a girl who never seems to be happy with the color of her hair. But evidence points to neither… so just who could have enough knowledge about the projects to find the perfect way to sabotage them?
Now it’s time for a very special recap on Devil’s Elbow, featuring that cult classic Disney show “Fillmore!”
Airing in the early 2000s, “Fillmore!” was an animated series done in the style of 1970s crime and detective shows set within a middle school. Specifically it was set within X Middle School, one of the biggest middle schools in America. That’s not even hyperbole because X Middle School is fucking HUGE. It’s practically a city. To put this in perspective, they have clubs for everything including a field for bocce ball, a corn maze so large they had to send a rescue team to save some poor kid who came out screaming “IT ALL LOOKS THE SAME!!!!”, an expo center for science fairs, and a fucking JAI ALAI STADIUM. An entire stadium SOLELY for jai alai.
The main characters are Cornelius C. Fillmore (Orlando Brown) and Ingrid Third (Tara Strong). Fillmore was once the worst juvenile delinquent to ever attend X Middle School until he turned over a new leaf and joined the Safety Patrol. Ingrid, a goth girl with a photographic memory making her the smartest kid in school, was another former delinquent who transferred to X from a school in Nepal following a prank with a stink bomb and a pinata.
As partners in the Safety Patrol, Fillmore and Ingrid have gone around solving a number of bizarre crimes, including:
The destruction of an entire model train expo
The kidnapping of X Middle School’s beloved mascot, Lobsty the Lobster, during Spirit Week
A serial shredder going around destroying school projects with a handheld paper shredder
The tagging of a graffiti artist going by the handle “Stainless,” whose antics lead Fillmore and Ingrid to seek the aid of another tagger put in permanent detention ala Hannibal Lector for something unspeakable he drew with only a mini golf pencil
The theft of EVERY SINGLE BOOK in the school’s massive library
A group of students forming a vigilante squad to get revenge on the school’s bullies by traumatizing them for life
A counterfeit baseball card ring organized by a visiting Canadian diplomat’s son who has “Diplomatic immunity” and thus can’t be touched by the Safety Patrol
Threats made against the school’s star chess player, Checkmatey, who’s inexplicably a white gangsta kid who churns out cringeworthy raps
Every single crime in the series is treated with the same amount of ridiculous seriousness, the exact way shows like “Starsky & Hutch,” would handle them. It’s got chase sequences up the ying-yang, interrogations, and Fillmore and Ingrid getting chewed out by their superior officer, Chief Vallejo.
So yeah, the “X” probably stands for “Xtra” because everyone in this show is operating at 75 out of 10. The best is probably the school’s principal, Dawn S. Folsom, voiced by Wendie Malick giving a delightfully hammy performance. She spends most of her time either sweetly complimenting the Safety Patrol when she’s not threatening to have them all shipped to Kazakhstan, or she’ll turn their HQ into her own personal sauna. She’s such an egotist the school’s drama club did a musical about her life story. My favorite scene involves her ranting about making sure Checkmatey brings glory to the school while she’s vocally changing the settings on her massage chair.
“And then the void in our trophy case, and the VOID in my HEART, WILL BE FILLED! DEEP TISSUE!!!“
Unfortunately, she’s not in this episode.
No I picked this episode to review on Devil’s Elbow because the conflict involves sabotage being inflicted against members of a fan club for a book series about a vampire astronaut. The main suspects are members of a rival fan club for a different franchise. The episode offers a look into fandom wars, toxic fandoms, and what happens when creators stop giving a shit. [Wing: Well this should be interesting.]
As luck would have it, back when the show was still on Toon Disney (or Disney XD, at the time) they once did a marathon of all the episodes that hadn’t yet aired on this channel. I recorded all of them on a video tape I still own and still works. This episode’s the last one on the tape, so I’ve known about it for years.
Title: Graveyard School #20 – “Creature Teacher,” a.k.a. “The One Where Nola Thacker Apologizes For ‘Let’s Scare The Teacher To Death'”
Author: Tom B. Stone, a.k.a. Nola Thacker, a.k.a. D.E. Athkins
Cover Artist: Mark Nagata
Summary: A for Awesome. B. for Beautiful. C for Cool. D for… DEAD!
She’s so sweet. So nice. So different from the other monstrous teachers at Graveyard School. Everyone likes Ms. King, the substitute teacher. Even Bentley – who doesn’t like any teacher. But one day Bentley discovers something about Ms. King. Something awful. Something scary. And now he might have to stay after school. Forever!
It’s back to school time and we’ve returned to the hallowed halls of Graveyard School after a four month summer break. Here we are with the penultimate “Graveyard School” recap and I’m still not over the departure of Jordie Flanders-DON’T LOOK AT ME.
This is the only other book in the series you could consider a sort of sequel, even though it’s not a direct follow-up to Bent’s previous time as the protagonist. It does deliberately mention the events of “Let’s Scare The Teacher To Death” but not enough to spoil the twist for those who hadn’t read it.
Despite Jordie’s prominent role in the last book, she’s nowhere to be found in here. That sort of makes sense if we’re considering she’s been keeping her distance from Bent and no longer wants anything to do with him. However, Thacker does her best to sort of give Bent… CHARACTER DEVELOPMENT. He’s nowhere near as frustrating as he was in book #8, and whether or not this was Thacker consciously realizing he was too unlikable or accidental, I don’t know.
However, this is the only time you could legitimately call Dr. Morthouse the villain of the story. While she’s always lurked as a threatening background presence, she’s never flat out been the direct antagonist before this one.
[Wing: I’M NOT READY FOR THIS TO END. #resurrectgraveyardschool2019]
Title: Goosebumps #16 – “One Day at HorrorLand,” a.k.a “TW: Pinching”
Author: R.L. Stine
Cover Artist: Tim Jacobus
Tagline: Enter, if you dare…
Summary: The Next Ride Might Be Their Last…
Lizzy’s family got lost trying to find Zoo Gardens Theme Park. But that’s okay. They found another theme park instead.
In HorrorLand there are no crowds. No lines. And the admission is free. It seems like a pretty cool place.
But there was before Lizzy’s heart-stopping ride on the deadly Doom Slide. And that terrifying experience in the House of Mirrors.
Because there’s something weird about the rides in HorrorLand.
Something a little too creepy.
A little too real…
I started the draft for this recap TWO YEARS AGO when I first began writing for Point Horror. I never finished it because there never seemed to be an appropriate time for it, until now with the amusement park and vampire theme I tried to set up for August.
Wing because I know you better now I have to warn you there’s mention of spiders near the end of the book.
This has been one of my favorite books in the original series for as long as I can remember, because I love the concept of HorrorLand. I love it when Stine tries to establish there’s an entire world in his books even though it’s unlikely they’ll be visited again, because it leaves me wanting more. Surprisingly, this book has received a lot of attention over the years. It got a sequel in the 2000 series, a two-episode TV adaption, a board game, a computer game sequel, a graphic novel adaption by JILL FREAKING THOMPSON, a video game adaptation for the PS2 and the Nintendo Wii, AND an entire spin-off series (which was admittedly lackluster). [Wing: Well damn, that’s a lot! I don’t think I’ve read/seen/played this one before, so this should be fun.]
Title: Graveyard School #25 – Escape from Vampire Park, a.k.a. “#judedelucalovesjordieflandersSHUTUP”
Author: Tom B. Stone, a.k.a. Nola Thacker, a.k.a. D.E. Athkins
Cover Artist: Mark Nagata
Summary: Take A Ride In The Tunnel Of Blood…
Cover your eyes. Scream your brains out. It’s the scariest ride in the whole amusement park. But brave Nathan isn’t afraid. He knows the ride is one big fake. Except now he’s about to find out how the Tunnel of Blood got its name. He’s about to stop laughing and start screaming. Too late, Nate.
The worst ride of your life has just begun.
We’re down to three and the last summer book before we return to the hallowed halls of Graveyard School. But returning after such a long absence is none other than my favorite, Jordie “The Human Computer” Flanders.
Interestingly, as you could tell from the summary Jordie is not the main character. That role’s taken by newbie Nathan, who had never been mentioned as a member of the sixth grade class until now. Yet Jordie is still the one who does most of the investigating into the creepy things at Vampire Park, and Nathan’s targeted mainly because people think he and Jordie are friends. It works in a way because, since Jordie’s the co-protagonist, we get to see someone else react to her Jordie-isms.
Along the way, we also realize (for those of us who know what happened in “Camp Dracula“) that Jeep Holmes and his family are apparently REALLY bad at their jobs.
So join me as we say goodbye to Jordie.
[Wing: I’m not ready for this series to end. I’m not, I’m not, I’m not. But I am excited to see Jordie again.]
Title: The Last Vampire #8 | Thirst #4: The Shadow of Death
Summary: I have returned to life, but it’s to a suddenly lonely world.
Alisa is a five-thousand-year-old vampire, stronger and more cunning than her adversaries. But now she’s trapped in the body of a newborn vampire and at the mercy of a terrible thirst. Worst of all, she’s facing enemies whose fierce desire for domination grows ever stronger. The immortal race the Telar is threatening to release a virus to decimate humanity. But Alisa and her friends can’t take down the Telar on their own, and they must turn to the mysterious organisation the IIC for help. But the IIC has secrets of its own and may have ulterior motives. With two rivals and no one to trust, Alisa must rely on her dark side to defeat them. But it could cost her life, or her soul… [Wing: How many goddamn times is she going to die?]
Tagline: Tortured Soul. Final Judgment. [Wing: Yeah, right. I’ll believe this is the end when I see it.]
Previously on Sita-has-a-new-body-and-the-world-may-end-soon-whoops: Sita was in Teri’s body. Sita’s back in Sita’s body. Teri’s body is dead. The Telar want to use a virus to end the world. The IIC wants to use their Array to at least control the world and possibly end it. Sita’s off to IIC to try to blackmail and bribe them into being used to take out the Telar. Good times, good times.