Grimm Fairy Tales #1 – Red Riding Hood, a.k.a. “Little Red Abstinent Hood”
Writers: Joe Tyler & Ralph Tedesco
Pencils: Joe Dodd
Inks: Justin Holman
Colorist: Lisa Lubera
Designers: Jeffrey Ariola & Jason Sorrenti
Cover Artists: Al Rio (R.I.P.) and Tom Smith
Editor: J.C. Brusha
Exploring the connection between sex and violence, the adaption of Little Red Riding hood confronts that line. The werewolf displays the lust and animal nature of sexuality while Red symbolizes the innocence and purity of love. The hunter is the balance between them both, taking you back close to the original story of the brothers Grimm rather than the doused down version we know today, the true moral behind the story is displayed.
A young girl with doubts about losing her virginity to her pushy boyfriend reads a story about Little Red Riding Hood in a book she finds beside her bed. The story of the fairy tale character parallels her own, and the ending of the updated story teaches her a lesson, which feels all too real.
[Wing: I mean, Little Red Riding Hood has always had sexual threat built into the story, but this will be interesting. That cover, though. Not feeling it.]
Happy birthday, Wing! For the fairy tale theme this month I’m doing a recap featuring your favorite thing, WEREWOLVES! [Wing: I’m scheduling this to go up after my
[Wing: I’m scheduling this to go up after my birthday, because I was too busy around my birthday to comment, but I love this as a gift recap.]
Zenescope’s “Grimm Fairy Tales” is a prime example of a sleeper hit. Back in 2005 when I was in high school, I found the first issue buried within the small pile of independent comics at my store. Being a horror comic and with my interest in fairy tales, I was immediately intrigued. Imagine my surprise when, despite the sexy cover done by the late Al Rio, it was a story about a girl being pressured into having sex by her boyfriend…
And she said no.
I missed the next two issues but attempted to support the series regularly. Unfortunately there were a number of delays with the following issues and I wasn’t sure when they were coming out, but I quickly got into buying GFT on a monthly basis. It was starting to grow pretty big, and spin-offs were being launched such as “Return to Wonderland.” Suffice it to say, nearly 15 years later and Zenescope Comics is still going strong and has created an entire world through their GFT series.
The basic premise of the original issues followed Sela Mathers, a mysterious woman with a book of fairy tales. Sela would present herself to the “Main Character of the Week” and show them a fairy tale relating to their current dilemma. Interestingly, Sela did not appear in the first issue, only her book did. And in the second issue she was startlingly different from every issue onward. It wasn’t long afterwards Sela became the main character as her past was explored, followed by the introduction of her arch-enemy, the redheaded Belinda. At that point an entire myth arc was constructed and I began to lose track as the series moved away from its original, episodic nature.
Unfortunately, I haven’t supported GFT in years. My comic shop became rather erratic in ordering the current issues and I completely lost track of the series by the time the 100th issue came around. Since I hadn’t done anything with Zenescope for a long time, and I needed the space in my boxes, I ended up selling my entire collection on eBay. However, I held on to the first issue (and the 2nd print of the 2nd issue) for sentimental reasons.
That being said, Zenescope and Grimm Fairy Tales will always be important to me because of one reason. It was by supporting “Return to Wonderland” that I befriended colorist Nei Ruffino on DeviantArt shortly after graduating from high school in 2008. Nei is the closest friend I’ve ever had, and the first real friend I made after getting out of the hell that was grade school. She’s been a part of my life for ten years, longer than any friend I’ve known. If it wasn’t for her presence in my life I genuinely doubt I’d be alive right now.(more…)