[Wing: RECAP #75! Thank you all for sticking around for this ridiculous, amazing ride.]
As far as I can tell Carmen Adams has only written two books, THE BAND and SONG OF THE VAMPIRE. [Wing: Well, she also wrote The Claw, which I recapped in 2016, and despite some lazy writing and the main character carrying the idiot ball, it was a delightful romp, so I have high expectations for her other books. Also, I realize this is where Paul recommended The Band and Song of the Vampire, so I’m glad we’re finally hitting them.] Technically that’s their order, however, they do stand alone. I know because I read them out of order and didn’t even really know THE BAND existed (or cared) until fairly recently. I am whole-heartedly convinced Adams was heavily influenced by movies like The Lost Boys and Near Dark when writing these books. While THE BAND doesn’t deal with vampires per se, it does deal with aimless teenagers trying to recruit unsuspecting victims into their dark lives through a blood ritual. They’re vampire enough without actually having to drink blood. And if you read SONG OF THE VAMPIRE and don’t get Lost Boys feels then we didn’t watch the same movie. [Wing: The Band 100% feels influenced by The Lost Boys and Near Dark. It captures that gorgeous feel of seaside horror-comedy even though it’s set in the desert, and it’s just great. AND LOOK AT THAT COVER. They’re basically the Lost Boys.]
Overall I think Adams had her finger on the pulse of teenagers a little better than her counterparts. Her characters aren’t caricatures of teenagers, they’re fairly level-headed and realistic, and she doesn’t rely on over-the-top shock to get her point across. Considering the market at the time it doesn’t surprise me she didn’t have staying power. I think she was a little bit ahead of her time just in the way these two books are written. They actually feel like they transcend time far better than any of the other 90s YA horror I’ve read (aside from mentions of crimped hair and VHS tapes, but that’s neither here nor there).
Really, both of these books are probably some of my favorites. THE BAND goes where literally no other book does: to revenants, not vampires. I’ve never come across revenants in any other book before, probably because they’re not sexy enough. At least Adams’s version of revenants are close enough to vampires that she might as well go with vampires, right? But she didn’t. She does go full tilt vamp in SONG OF THE VAMPIRE, but let’s leave that for the next recap.
For now, let’s get into THE BAND.