[Wing: OH NO THAT COVER. We’ve come a long way from the fun of The Band.]
I stand corrected with now knowing that Adams also wrote THE CLAW, a Point Horror addition that the lovely ladies at The Devil’s Elbow already recapped. I’d never heard of it, but should I stumble across it in my used bookstore wanderings I’ll have to grab it.
Remember how I said Adams wrote level-headed and realistic characters that weren’t caricatures of humans? Well, that’s still true, but where Adams’s development was a little better in THE BAND, in SONG OF THE VAMPIRE we got some major plot-serving going on served with a tall Dumbass Daiquiri, complete with a tiny umbrella. She got significantly better with descriptions in this book, throwing down on page two what Megan and Iris look like, however, she does bleed a little more into making Megan look a little more than average in this book.
I had a harder time separating my Lost Boys love from this book, and maybe it’s just me, but I ultimately felt her descriptions were a little lacking here. Where she really amped up the setting of Blue Mesa and ambiance as their own characters in THE BAND, here, while she didn’t short on description, it definitely didn’t feel as involved. There was a moment, and I’m pretty sure it was just the one, where her grasp of feeling and setting really came back to life. But I found myself really looking for that mood-setting tone that Adams has throughout the book and didn’t find it.
Still, she watched The Lost Boys and was like I WANT TO WRITE THAT. And she did. And despite the flaws I still love her for it.
Fair warning: this recap is going to be gif-heavy to supplement the heinous eye roll moments and to throw down the epic Lost Boys love that is this story.
[Wing: This is legitimately the most Lost Boys story I’ve ever read, and I own the damn movie novelisation. It is fucking amazing. And sometimes terrible, because COME THE FUCK ON, MEGAN, YOU ARE BETTER THAN THIS.]