Summary: Yuzuru was an average teenager who had almost forgotten that he was betrothed to Azusa when he was only 6! Now arriving to claim what she feels is rightfully hers, only Satomi (Yuzuru’s current girl friend) stands in her way… and with the mysterious and frightening powers that Azusa brings, Satomi won’t stand in her way for long!
(TW: Sexual Assault)
Just because “Mermaid Saga” is over doesn’t mean I’m done with Rumiko Takahashi, which is why I’ve picked another of her earlier horror works for February and Valentine’s Day.
“Laughing Target” is a one-shot story from 1983, not as well known as her other works, but still a prominent example of her solo stories. It was one of the most highly promoted of the “Rumic World” banner, and one of the three solo tales adapted into an OVA.
Please keep in mind I have NO idea how I’m able to type the following information with a straight face, as this is the first time I’ve ever had to use the word “Yandere.” God I’m a nerd.
Grimm Fairy Tales #1 – Red Riding Hood, a.k.a. “Little Red Abstinent Hood”
Writers: Joe Tyler & Ralph Tedesco
Pencils: Joe Dodd
Inks: Justin Holman
Colorist: Lisa Lubera
Designers: Jeffrey Ariola & Jason Sorrenti
Cover Artists: Al Rio (R.I.P.) and Tom Smith
Editor: J.C. Brusha
Exploring the connection between sex and violence, the
adaption of Little Red Riding hood confronts that line. The werewolf displays
the lust and animal nature of sexuality while Red symbolizes the innocence and
purity of love. The hunter is the balance between them both, taking you back
close to the original story of the brothers Grimm rather than the doused down
version we know today, the true moral behind the story is displayed.
A young girl with doubts about losing her virginity to her pushy boyfriend reads a story about Little Red Riding Hood in a book she finds beside her bed. The story of the fairy tale character parallels her own, and the ending of the updated story teaches her a lesson, which feels all too real.
[Wing: I mean, Little Red Riding Hood has always had sexual threat built into the story, but this will be interesting. That cover, though. Not feeling it.]
Happy birthday, Wing! For the fairy tale theme this month I’m doing a recap featuring your favorite thing, WEREWOLVES! [Wing: I’m scheduling this to go up after my birthday, because I was too busy around my birthday to comment, but I love this as a gift recap.]
[Wing: I’m scheduling this to go up after my birthday, because I was too busy around my birthday to comment, but I love this as a gift recap.]
Zenescope’s “Grimm Fairy Tales” is a prime example of a
sleeper hit. Back in 2005 when I was in high school, I found the first issue
buried within the small pile of independent comics at my store. Being a horror
comic and with my interest in fairy tales, I was immediately intrigued. Imagine
my surprise when, despite the sexy cover done by the late Al Rio, it was a
story about a girl being pressured into having sex by her boyfriend…
And she said no.
I missed the next two issues but attempted to support the
series regularly. Unfortunately there were a number of delays with the following
issues and I wasn’t sure when they were coming out, but I quickly got into
buying GFT on a monthly basis. It was starting to grow pretty big, and
spin-offs were being launched such as “Return to Wonderland.” Suffice it to
say, nearly 15 years later and Zenescope Comics is still going strong and has
created an entire world through their GFT series.
The basic premise of the original issues followed Sela
Mathers, a mysterious woman with a book of fairy tales. Sela would present
herself to the “Main Character of the Week” and show them a fairy tale relating
to their current dilemma. Interestingly, Sela did not appear in the first
issue, only her book did. And in the second issue she was startlingly different
from every issue onward. It wasn’t long afterwards Sela became the main
character as her past was explored, followed by the introduction of her arch-enemy,
the redheaded Belinda. At that point an entire myth arc was constructed and I
began to lose track as the series moved away from its original, episodic
Unfortunately, I haven’t supported GFT in years. My comic
shop became rather erratic in ordering the current issues and I completely lost
track of the series by the time the 100th issue came around. Since I
hadn’t done anything with Zenescope for a long time, and I needed the space in
my boxes, I ended up selling my entire collection on eBay. However, I held on
to the first issue (and the 2nd print of the 2nd issue)
for sentimental reasons.
That being said, Zenescope and Grimm Fairy Tales will always be important to me because of one reason. It was by supporting “Return to Wonderland” that I befriended colorist Nei Ruffino on DeviantArt shortly after graduating from high school in 2008. Nei is the closest friend I’ve ever had, and the first real friend I made after getting out of the hell that was grade school. She’s been a part of my life for ten years, longer than any friend I’ve known. If it wasn’t for her presence in my life I genuinely doubt I’d be alive right now.
Title: Scary Godmother in “The Search For Mister Boogeylegs”
Writer/Artist: Jill Thompson
Last year I did a review of Jill Thompson’s “Dead Boys Detectives” manga from Vertigo, and decided to follow up with another work by the greatest comic creator of all time (Scott Snyder, eat your fucking heart out). Originally I planned to finish this last year but there simply wasn’t enough time.
I’ve been hyping up Scary Godmother for a while now in some of my other posts, so I figured now was the time to finally do a proper recap to share the magnificence of these stories with y’all.
[Wing: That cover is so much fun.]
But first, before we get into all that, let’s take a look at our intrepid cast.
Summary: A fan favorite holiday character returns! When Jing again breaks her parents rules, she is forced to spend Christmas Eve GROUNDED. But when Santa is also caught in a lie, he has to share the same punishment! Neither father nor daughter can leave the North Pole until they apologize, and with the contentious Kringles not speaking to each other, Christmas is doomed!
Last year I reviewed the “Santa Claus Vs Frankenstein” Jingle Belle one shot, and I promised to follow up by doing the Krampus story this year.
For those who don’t recall, Jingle Belle is Santa’s incorrigible teenage daughter (technically 151, which comes out to 16 in elf years). Jing often gets into a lot of ridiculous misadventures and finds herself put on the Naughty List, much to her father’s eternal frustration. Along for the ride is Jing’s best friend and fellow holiday icon Polly Green, the official Witch of Halloween.
Now last year, Wing got a bit peeved by how the complaints on the Santa Claus myth were brought up by a strawman political character whose arguments turned out to be part of a ploy to go after Santa because he’s an easy target. Well Wing, if you were disappointed over the resolution in last year’s comic, I’m certain you’ll be rather fond of what happens this time.
[Wing: Recap #200! It’s been a great time. Thank you all for reading and commenting and recapping. I love this snarky little book club.]
Title: Bone Chillers #4 – Frankenturkey, a.k.a. “Help! My Turkey Is A Frankenstein”
Author: Betsy Haynes
Cover Artist: Tim Jacobus (?)
Tagline: Look who’s coming to Thanksgiving dinner…
Summary: …it’s not Grandma!
Kyle and Annie want to celebrate Thanksgiving like the Pilgrims. They want to wear stovepipe hats, bake their own pies – even raise their own turkey. Then they meet Frankenturkey!
Frankenturkey is big. Frankenturkey is bad. Frankenturkey is mad. If Kyle and Annie don’t watch out, Frankenturkey will eat them for Thanksgiving dinner.
That summary is a lie in so many ways. Kyle and Annie do NOT want to celebrate Thanksgiving like the Pilgrims. They do NOT want to wear stovepipe hats or bake their own pies. And while they want to raise their own turkey, it’s not because they want to eat him.
Coming off that, I should clarify I actually really hate Thanksgiving, probably more than April Fools’ Day. I don’t feel I’m educated enough to make a point about how the holiday is shamelessly built off the exploitation and continued attempts at extermination of the indigenous people who lived in this country before white people ruined everything. Well I could, but I feel I’d come across as a token straw liberal and sound horribly obnoxious and phony.
What I can say is I’d rather not celebrate a holiday that seems to pride itself on being a clusterfuck of anxiety, wherein family members are forced to invite other family members they can’t stand, waste a lot of money on one meal that could’ve been used to buy at least a week’s worth of food, and then spend the entire day arguing and yelling about shit no one’s talked about in decades before nitpicking over said meal and then offering apologies that amount to nothing.
As a picky eater I also can’t stand the holiday because everyone expects me to eat a lot and it makes me feel more self conscious than I already am when I have dinner with other people. If I ever have a family of my own, I’m not making my kids celebrate the holiday and would rather spend the day doing something fun with them instead of forcing them to watch me argue with their uncle and grandparents.
This is most likely one of the more well known “Bone Chillers” in it’s one of the three books adapted into the TV show and it’s the one book that got a sequel.
If there was ever to be a trademark monster for the franchise, it’s Frankenturkey. [Wing: Well that is a horrifying promotional image.]
I bought the sequel book first before I acquired the original, and owned this for years without reading it until I proposed a recap for the site. Well, I’d read the first chapter and was prepared to hate this when it seemed Kyle was too much like an average “Goosebumps” protagonist. I was pleasantly surprised to be proved wrong. Kyle and Annie’s affection for the actual turkey they buy is legit endearing, and the one thing that frustrates me is their condescending bitch of a mother and their equally awful dad.
They found Karen Holly in the mountain stream, her skull crushed. There was only one witness to the tragedy, Karen’s boyfriend, Jason Whitfield. He said a grizzly had killed her. But a lot of people didn’t believe him. They thought Jason had murdered her in a fit of rage.
And now weeks have passed, and Jason has another girlfriend, Cindy Jones. And there are the new kids in town, Joni Harper, the quiet English beauty that Cindy’s brother, Alex, cannot get out of his mind. And Bala, the foreign exchange student from Africa, the grandson of a powerful shaman.
Together they will return to the place where Karen was killed.
Some will die.
The others will come face to face with a horror beyond imagining.
Tagline: You can close your eyes….It won’t help. [Wing: Except, spoilers, that’s exactly what it does.]
This is one of my favourite Pike books, though not my absolute favourite. There are monstrous women and full moons and hunger, and it is all pretty great — except for that girls fighting over boys and boys fighting over girls and racism everywhere. /o\
Title: The Upturned Stone, a.k.a. “The Haunted Pie”
Writer/Artist: Scott Hampton
Tagline: “Ghosts aren’t frightening, really.”
“What’s frightening is the thought of them.”
It’s like “Stand By Me” but with ghosts and sexual abuse.
I first discovered this tale a few years back when Comic Book Resources did a countdown of “Scariest Comics of All Time,” and being the sucker that I am for Halloween and pumpkin related horror tales, I immediately sought to hunt this book down and acquired one of the original print copies.
This story isn’t all plot, and while Halloween is what sets off the chain of events, the entire book doesn’t take place solely on the holiday itself. What starts off with a pumpkin growing on top of the grave of an unnamed child becomes a journey into adulthood and a quest for revenge.
Title: Quiet House, a Halloween short story, a.k.a. “That Got Dark REALLY Fast”
Author: Norman Prentiss
Cover Artist: N/A
Summary: On October 29, the Halloween decorations disappeared from the Myrick lawn. Instead, an official sign appeared at the edge of the property: “Quiet Zone: Death in the Family.”
This year, Jeremy would finally be allowed to trick or treat without his parents’ supervision, and he’d been looking forward to visiting the neighborhood’s most famous October attraction. Now, after all his anticipation, it felt like Halloween had been cancelled. To his young mind, even a grieving family deserves some version of the traditional “trick” but Jeremy’s impulsive act of revenge has far-reaching, terrifying consequences.
I came across this digital short story last year on Fantastic Fiction while I was doing a search for a random story I once glimpsed on Amazon a couple of years ago. You have to understand I’m prone to doing that if I have some bare trace of memory for a book or story and I’ll sometimes dedicate too much time on Amazon and Fantastic Fiction to try and locate it.
I came upon this story in my searches and thought the title sounded interesting. I purchased it through Amazon Kindle for a dollar, which is where I suggest you buy it as well to show support because this story, this, this is… I did not come into this story prepared for how dark it goes, and was assuming it’d be some “Tales from the Crypt” esque journey where the neighbors get revenge on Jeremy for his trick.
Title: Confessions of a Teenage Vampire – Zombie Saturday Night
Writer: Terry M. West
Penciller: Steven A. Ellis
Inkers: Richard Perrota and Ravil Lopez
Letterer: Fred Van Lente
Colorists: Kent Marquart, Ryan Dunlavey, Leon Allen, Michelle Wulfson
Cover Art: Steve Ellis and Stew Noack
Editor: Bonnie Bader
Summary: My life has really changed since I became a teenage vampire. I can’t stand bright lights and bad smells. I’m so strong I’ve got to be careful not to hurt anyone in gym class. And I’m on a strict diet of Serum V – a special protein product that was invented so vampires don’t have to kill to eat.
But my biggest worries are Sang and Rosie – two vampires who think that all vampires should prey on humans. I haven’t heard from them lately, but I know they’re out there somewhere. I need to be ready when they come…
This past summer I reviewed the first entry in this two book series, and I promised Wing I’d review the second for Halloween this year. Luckily for Wing, it’s got werewolves! Unluckily for the rest of us, while it sheds more light on the vampire mythology of this world, the ending is pretty rushed and there was no third entry.
Still, I hope you enjoy this piece of 90s comic cheese as an early Halloween treat instead of a trick.
Summary: Prepare for a trilogy of Halloween treats in this year’s terrifying Treehouse of Horror! First, punk rock pixie and Go-Gos founding member Jane Wieldlin (Lady Robotika) leads Marge down the path of the walking dead; then, Zander Cannon and Gene Ha (Top Ten) offer up a remake, Simpsons-style, of the classic horror flick Nosferatu; and finally, indie artist Jim Woodring (Jim) helps Bart uncover the truth behind the biggest mystery in the history of horror comics.
You’ve all heard of “Treehouse of Horror” the annual Halloween themed episodes done yearly on “The Simpsons.” What you probably don’t know is Bongo Comics, alongside the regular Simpsons Comics, releases a “Treehouse of Horror” issue every year. Or at least they did.
I own nearly all the issues in either trade paperback form or as individual issues. Some of my favorites include:
The one where the Simpsons buy an alien Christmas tree that plans to take over the world
The one by Jill Thompson that starts off as a Carrie parody before Lisa goes full on Dark Phoenix [Wing: Well that sounds amazing.]
The Death Note parody by Nina Matsumoto
Oh, and this one ad
I wanted to talk about #17 from 2011, an issue I missed when it first came out and tracked down a couple of years ago. And friends, it’s one of the most legitimately fucked up Halloween-related Simpsons media I’ve seen so far, mainly for its first and last stories.
Wow, so we’ve reached the final “Mermaid Saga” story to recap. My first completion of an entire series for Devil’s Elbow.
Unfortunately this last chapter is devoid of Mana, so Wing I hope you enjoyed her presence in the last recap. We’re looking at another exploration into Yuta’s past, this time a couple of hundred years after “The Village of the Fighting Fish.” It’s here Yuta has an encounter with a different kind of immortal, but without any romantic overtones. It’s still pretty heartbreaking though.
[Wing: I can’t believe that we’re already done with this series. I’m going to miss it, and Mana, quite a bit.]
Christopher Pike is a prolific writer of teen horror-ish novels, with a few sprinkled in there for adults. He is the literary horror to RL Stine’s gore porn/B-movie-type novels. But that’s putting him a bit high up there, isn’t it? Sometimes he overwrites, sometimes his stories are just outright ridiculous. But there’s no doubt he at least tried to insert some depth into these schlock teen horror novels of the 90s.
Julia is a young woman with extraordinary powers. She has the ability to heal people with her touch. She can also know things that are happening in far off places when she looks in water that has sunlight shining on it. She comes from a tradition of witches, of good witches. But before Julia’s mother died, she warned her daughter never to look in the water that had moonlight shining on it.
Unfortunately, almost by accident, Julia does so. What she sees is a vision of the future, a scene in which a young man she doesn’t know is shot in a hold-up and dies in her arms. Only later, when Julia attends a football game at school, does she meet the young man.
He is her girlfriend’s new boyfriend.
Julia immediately falls for the guy, but it is an ill-fated love. He does not belong to her and he is supposed to die. Or does he have to die? Julia doesn’t know if her vision of the future is set, or if it can be changed. She doesn’t know why the gunmen in her vision evokes such hatred in her, and why she feels she must destroy him at all costs. But using the supernatural powers at her command, and risking her own life, plus the lives of her friends, Julia will find the answers to all these questions, at a terrible cost.
The ridiculous over-wordiness of this blurb is spot on with the wordiness of the book itself. Plus it reads like a first draft blurb. Like re-reading it makes me cringe a little for its awkwardness.
Indian Pole, Idaho, population negative six. I think it’s passed off as not a middle of nowhere type of town, but it is. People need to drive a half hour in any direction just to get anywhere worthwhile, like shopping areas or whatever. Everyone knows everyone and has grown up with everyone. Those kinds of towns, but Pike doesn’t much dwell on the place. Not really. And for someplace that doesn’t really bear any significance to the story the name of the town is sure bandied around a lot. [Wing: A half hour in any direction? That’s basically a suburb. Julia, come talk to me when you have to drive 2+ hours just to buy clothes.]
Tagline: Death is always to be found beneath the ground.
Summary: On a bright spring day in England, six teenagers laugh and joke as they make their way to a neglected part of the institution they mockingly call Our Glorious School. Hidden in the dark hollow of a buttress is the door to a small windowless cellar. Behind the door, the old stairs have rotted away. A boy unfurls a rope ladder and five descend into The Hole. The sixth closes the cellar door, locks it from the outside, and walks calmly away down the flagstone path.
The idea is simple. While their parents think they are on a field trip, and the school thinks they’re at home, Frankie, Geoff, Alex, Mike, and Liz will spend three days locked in The Hole. Martyn will remain above ground, promising that when the five emerge into daylight, they’ll have been part of the greatest prank the infamous schemer has ever engineered.
The three days pass predictably: a lot of talking, some booze, flirting, a few friendly fights. At five P.M. on the third day, they drink a celebratory bottle of vodka and wait for the mastermind to arrive and release them. Thirty hours later, they realise that Martyn is not coming to let them out… ever.
Note: As before with the movie, I will take scenes at their face value and comment on them, and then loop back if they are contradicted/expanded. I’ll actually use footnotes for this though – it will be a number in square brackets. They may even be links if WordPress lets me. This makes it a very hard book to recap, so bear with me.
[Wing: I’m scheduling this post to go public on the first day of fall in the Northern Hemisphere, because it is the start of my favourite season, and this is a creepy and twisty way to start it, and it is also a sad family day from which I want to be distracted.]
Warning:There is a rape in this book. I’ve tried to keep the language I use as non-threatening as possible, and keep discussion of it down to a minimum. However, it’s there. You have been warned.
This is less initial thoughts and more a warning. If you want to read the book, go read the book. It’s a lot easier now than it was in 2003, when I read it. I had to get an out-of-print second-hand copy from a seller on Amazon marketplace, using a friend’s account (my ex got me blacklisted for six years from 2001 onwards), because eBay didn’t have it.
It’s on the kindle now. It’s £3.99. Go read it, because if you’re interested you’ll enjoy the book much more if you just read it, rather than read my recap (which is spoilerific), and then the book.
The book doesn’t have much in common with the movie, so seriously, this is your last chance, go buy it and read it. It’s about the length of the average Sweet Valley Twins, so it’s like an hour out of your day. And you might enjoy it.
(Oh, and forgive some of the prose. Guy Burt was seventeen when he wrote it.)
Also, I’m actually going to note the chapters in this, because it becomes very significant later, and you may want to check something. You’re welcome.
Title: Deadtime Stories #10 – Grandpa’s Monster Movies, a.k.a. “A Nightmare on Green Acres”
Author: A.G. Cascone, a.k.a. Annette and Gina Cascone
Cover Artist: ???
Tagline: The midnight show is a scream.
Summary: Home movies can be a horror!
C.T. and his cousin Lea are staying at their grandparents’ old farmhouse. It’s Grandpa’s seventieth birthday, and everyone’s celebrating with a big family reunion. All the weird relatives are here, and all they seem to want to talk about are “the good old days.”
C.T. and Lea think the “good old days” are pretty boring – until they find some home movies hidden away in the attic, movies from when their grandfather was just a boy.
The home movies give them a piece of family history that their relatives never talked about.
It seems that horses, cows, pigs, and chickens aren’t the only creatures Grandpa’s been taking care of on the farm. And Uncle Ernie isn’t the only one at the family reunion whose back is covered with hair. [Wing: WEREWOLF?!]
C.T. and Lea discover there’s a monster among them – and this creature is dying to eat a lot more than the birthday cake!
It’s my grandfather’s birthday this month so I felt this would be an appropriate book to recap. Believe me, I wish I’d chosen something else because of all the hillbilly jokes in this one.
“Deadtime Stories” was written by sisters Annette and Gina Cascone under a shared pen name. It was another series where most of the entries were independent of the other, save for the two “Tiny Town” books which inexplicably featured an identical knock-off of Chucky the Killer Doll named “Hurley the Hobo.”
Surprisingly, Nickelodeon produced a short TV adaptation a decade after the original series ended, which of course led to several books being reprinted with new covers. The episodes always featured a framing story of a babysitter narrating the books to the two little kids she was watching, and them always screaming when she gets to the twist ending.
It’s been more than a year since I began writing for Point Horror, and after carefully double checking with Wing and Dove, I thought I’d do this extra special recap of a horror computer game. This’ll be my first ever game recap, and I don’t know if I’ll be doing others because it may be a bit tricky.
As the name implies, this is a “My Little Pony: Friendship is Magic” game. Not an official one, mind you. It’s a fan game I found on newgrounds.com a few years ago when I was doing a search for creepypasta-related games. As it turns out, “Story of the Blanks” was made for a fan contest over on a “Friendship is Magic” website. A contest specifically for creepy games.
This game is surprisingly ingenious as the creator designed it in the style of original generation Nintendo games. It’s pretty short once you get the hang of it, but the story’s engrossing and well-crafted, leaving a number of things to the player’s imagination and scary in a non-problematic way. You’re probably thinking since this is “My Little Pony” and it’s horror related it’s probably gonna be some gross shit, but I assure you if it was I would never have recapped it for this site.
[Wing: I might have recapped it, depending on what that gross shit is, though not if there was, say, bestiality, etc., so. I love horror video games, but can’t play very many of them because a ton are first person camera style, which triggers my vertigo. Alas. Horror video games forever, though.]
Summary: Alisa has spent the past five thousand years as a vampire, living alone and fighting for survival. In her loneliness, Alisa cannot resist bringing Teri—a descendant of her human family—into her life. But Alisa is surrounded by death and destruction, and just by knowing Alisa, Teri’s life is at risk.
Alisa’s guilt grows when she becomes involved in a dangerous conspiracy. A top-secret group knows Alisa’s secret and will stop at nothing to use her powers for their cause. As Alisa desperately tries to protect herself and Teri from the unknown enemy, she discovers a force more powerful and more lethal than anything she has ever seen. Alisa doesn’t know who to trust, who to challenge, or who she will become….
Tagline: Reckless Behavior. Endless Pursuit.
Oh god, y’all, this book alone is at least the same length of any three previous books, if not longer. I have no idea how I’m going to break up these last books. There’s no way I can do a normal recap at that length, but if I do a set number of chapters each month, I’ll be recapping them all of next year, too, and I’m really looking forward to recapping Monster and Spellbound and Scavenger Hunt at the end of this year. So we’ll see what happens.
[Wing: Note from the future. I just dove in and recapped the entire thing, so … it’s long. I may split up the next one, or put it off until the new year, or something, I don’t even know. It’s so long, y’all. The book. This recap. Oh god.]
It’s a good thing I chose this chapter for July because I’ve been incredibly backlogged the last couple of weeks ever since I got sick around Independence Day.
Dream’s End is another oddity in the series because it provides more world building, even though it’s the shortest story at only 22 pages not counting the splash title page. It’s the only time the series explores the concept of the Lost Souls beyond their typical usage as a plot device and warning against consuming mermaid’s flesh. It also has a bit of a “Beauty and the Beast” vibe.
Title: Confessions of a Teenage Vampire #1 – The Turning
Writer: Terry West
Penciller: Steve Ellis
Inkers: Rich Perrota and Ravil Lopez
Letterer: Fred Van Lente
Colorist: Michelle Wulf and Ryan Dunlavey
Summary: I used to be a pretty average teenager. True, I didn’t haprves tons of friends, and I liked studying history, but I was basically not very unusual.
But that all changed when I met Phillip Lemachard. You see, Phillip is not like the rest of the kids in my high school. He’s not like anyone I know, in fact. When Phillip tells stories about history, it sounds as if he was really there. And he has this skin condition that keeps him indoors during daylight.
Now I’m beginning to change, too. And these changes are, well, really unusual.
Here’s a special little treat from a story I haven’t read since middle school. This is the first of a two-part, stillborn series of YA horror graphic novels published by Scholastic in the late 90s. It definitely shows in both the setting (the characters mention “Surfing the net”) and the artwork (it’s got that high-waisted, long thigh Rob Liefeld/Art Adams look to it).
I thought it’d be fun to pull up this old jewel for Comic Con month, and I’m planning on reviewing the second book in October for Halloweenus.
Summary: “…One must choose that victim who contains the greatest and purest force.
The Holy Fool.
The Hanged Man.
The King of the Lonely.
Thus shall the demon Archon arise and bathe the Earth in blood.”
— The Book of Shadows
Back in the 1990s, one of the semi-big things in the comics industry were prestige format one shot stories. They were bound with glossy covers like trade paperbacks, but small enough to be individual issues. Their placement in the continuity of ongoing comics was debatable at best, since they were so rarely every mentioned in the main titles published by DC and Marvel. What was great about them is they were often self-contained stories which featured original antagonists and supporting casts beyond the main characters, but like I said the characters would hardly ever appear in the regular comics if they were lucky.
I own, well, I wouldn’t say a HUGE number of Batman prestige format books, but the entirety of my Batman collection of trade paperback issues and similarly printed stories takes up most of one shelf in my collection. “Batman: The Book of Shadows” was a story I stumbled into blindly, having never heard of it before my purchase and the action taken solely because the title intrigued me. I don’t think I’ve ever read anything else written by Pat Mills and Debbie Gallagher, but from what I’ve determined the two are frequently published under 2000 A.D.. Likewise, I’ve only fond Duke Mighten’s artwork in an early 90s Marvel series called “Wild Thing.” “Book of Shadows” is a pleasant, creepy little story using tarot card themes and a group of monstrous villains whose designs are reminiscent of the Xenomorphs from the “Alien” franchise.